"He could kick these songs and make them swing, make them swagger," Lars Ulrich says of what Charlie Watts brought to the Rolling Stones.
Greg Allen/Invision/AP; David Wolff-Patrick/Redferns/Getty ImagesWhen Metallica simplified their sound as they were writing their monumental Black Album, drummer Lars Ulrich looked to two drummers in particular for inspiration — AC/DC’s Phil Rudd and the Rolling Stones’ Charlie Watts. When he learned of Watts’ death this week, he felt both shocked and sad.
“It hits hard on many levels,” Ulrich tells Rolling Stone. “Obviously, as a Stones fan, it’s sort of the end of at least an era within that band, because he was the only drummer that ever recorded with them. He was such a significant part of their sound, and an underrated part of their sound. In a band where the spotlight would go to especially Mick and Keith, a lot of people truly didn’t understand how valuable he was. And from that side, as a Stones fan, it’s a great loss.”
Ulrich has always looked to the Stones for inspiration as to how a band can continue to grow and enjoy a career that spans decades. “They don’t need the money or exposure, so one can only imagine the reason they kept going is because they loved what they were doing,” he says. “And that has always been so relatable to me and to our band.
“Charlie has always been that driving force,” he continues. “He could kick these songs and make them swing, make them swagger, still make them have that attitude, that pocket. Seeing him do that way deep into his seventies has been such a life-affirming thing. [Metallica are] a good 20, 25 years behind, but it’s given me a lot of faith in the possibilities of what it can continue to be — music, concerts, connecting to fans, connecting to each other as a band. There’s nobody above them on that pyramid, and there’s nobody above Charlie on that pyramid. Of course, there are a couple of incredible jazz drummers who played into their eighties, but there’s been nobody above Charlie in the rock & roll pyramid in terms of being out there and doing it.”
Ulrich adds that he’s learned something new about Watts’ importance to the Stones this week by watching video of the band playing live. “I was looking at a couple of the clips from the last show in Miami and even seeing Mick Jagger up there swaying.… What is he swaying to? He’s swaying to Charlie Watts’ drumming,” Ulrich says. “People sit there and go, ‘Yeah, I’m dancing along with Mick Jagger.’ No, you’re dancing along with Charlie Watts in the same way Mick Jagger’s dancing along to Charlie Watts’ drumming. So Mick Jagger wouldn’t have those moves if it wasn’t for Charlie Watts’ drumming. It sort of starts and ends there.”
NEWS
Rise Against have released a new single, ‘Nod’, their first new music since 2022.
The new track kicks off the punk band’s “inspired next chapter” and was produced by Catherine Marks. “I swear to God this can’t wait,” vocalist and lyricist Tim McIlrath sings at the top of the song’s chorus. “Not one more minute, one more day.”
“Nod is about the solace we find in community,” said McIlrath in a press release. “It’s about the comfort in knowing that we are not alone. This comfort can temper our anger and our frustration, at least temporarily.”
‘Nod’ follows the band’s 2021 album ‘Nowhere Generation’. It was followed by an EP titled ‘Nowhere Sessions’ which included live versions of songs from the album.
Tracks such as ‘Talking To Ourselves’, ‘Broken Dreams, Inc.’ and the LP’s titular single were re-imagined as live recordings, as well as a cut of their 2008 song ‘Savior’ and covers of Misfits‘ ‘Hybrid Moments’ and Creedence Clearwater Revival‘s ‘Fortunate Son’.
Check out ‘Nod’ below:
the release of ‘Nod’ arrives just before Rise Against head out on a UK and European tour alongside L.S. Dunes and Sondaschule.
They’ll kick off the shows on January 28 in Dublin, before heading to Belfast on 29. Then, in February, they’ll head to Paris, Brussels, Berlin, Zurich and more, before wrapping up the tour in Vienna on February 22.
The tour also includes stops at London’s O2 Brixton Academy, Manchester’s O2 Victoria Warehouse and Birmingham’s O2 Academy on February 6, 8 and 9 respectively. You can find a full list of dates further down. You can find tickets to the UK and Ireland dates here.
JANUARY
28 – 3Olympia – Dublin, Ireland
29 – Telegraph – Belfast, Northern Ireland
FEBRUARY
2 – L’Olympia – Paris, France
4 – O13 – Tillburg, Netherlands
5 – Forrest National – Brussels, Belgium
6 – O2 Brixton Academy – London, UK
8 – O2 Victoria Warehouse – Manchester, UK
9 – O2 Academy – Birmingham, UK
12 – Velodrom – Berlin, Germany
14 – Mitsubishi Electric Hall – Düsseldorf, Germany
15 – Sporthalle – Hamburg, Germany
17 – Zenith – Munich, Germany
18 – myticket Jahrhunderthalle – Frankfurt, Germany
21 – Volkshaus, Zurich, Switzerland
22 –Stadthalle – Vienna, Austria
