Green Day @ Hella Mega Tour, Dallas, Texas, July 24th, 2021

Natalie Perez
“Take a look around you,” Billie Joe Armstrong said. “This is human contact. We cannot be locked up anymore. We need to be together.”

Just two songs into Green Day’s headlining set at the Hella Mega tour launch at Arlington, Texas’s Globe Life Field, Billie Joe Armstrong asked for the houselights to be turned on so he could see the roughly 35,000 people in the audience. This was quite possibly the largest rock audience that had assembled anywhere in the world since the start of the pandemic, and he wanted to bask in their glow.

“Take a look around you,” he said. “This is human contact. We cannot be locked up anymore. We need to be together.”

It was a sentiment shared by every performer throughout the five-and-a-half hour concert, which also featured the Interrupters, Weezer, and Fall Out Boy, and it was almost enough to make you forget that the Delta variant is causing infection spikes all over America, mask mandates are returning, and the future is suddenly feeling very uncertain again. But the youthful crowd seemed unbothered by this, and masks were worn by no more than one out of every 300 people.

Covid issues aside, the show was wildly entertaining and well worth the nearly two-year wait fans have had to endure since the initial tour announcement. Like a 2005 iPod set to shuffle, it veered from “Sugar, We’re Goin Down” to “Beverly Hills” to “Wake Me Up When September Ends,” and since none of the artists have been on the road since in over a year and a half, they all had energy of racehorses freed from their starting gates.

Weezer @ Hella Mega Tour, Dallas

Natalie Perez

After a quick opening set by the L.A. ska punk band the Interrupters, who won over the crowd with their unique take on Billie Eilish’s “Bad Guy,” Weezer came out. It was hard to recognize Rivers Cuomo for a moment because of his new mustache and mullet look, not to mention his studded leather jacket that shows he’s really embracing this whole Van Weezer era.

The early part of their set was heavy one new songs like “Hero,” “All The Good Ones” and “The End of the Game,” a bold move for a stadium show, but the opening notes of “My Name is Jonas” triggered a flood of classics like “Undone – The Sweater Song,” “Surf Wax America” and “Island In The Sun.” No matter how many times they’ve played them over the years, they always work.

“El Scorcho” generated some of the loudest cheers of the night thanks to the line about asking a girl out to a Green Day concert, and the inevitable “Africa” came not longer after it. Cuomo got a little confused when he got to the “I stopped an old man along the way” part and started just muttering “blah blah blah.” Perhaps the fact that Weezer’s biggest hit in years is a novelty cover of a 1982 Toto song has left him less than thrilled. The audience took over until the recovered on the chorus. After the live debut of “California Snow,” they ended with singalong renditions of “Say It Ain’t So” and “Buddy Holly.”

Fall Out Boy are the slight odd ones out on the bill since they weren’t graduates from the MTV class of 1994 like Weezer and Green Day, which Pete Wentz acknowledged midway through their set. “Imagine what a mind fuck this is for our band,” he said. “Our band is so influenced by these bands that to be on a stadium tour with them is absolutely mind-blowing. Dream big, you know what I mean?”

They certainly dreamed big with the stage show, which included more pyro than your typical Kiss concert, including flames that shot directly out of Wentz’s bass during their opening number of “The Phoenix.” And when Patrick Stump sat down at the piano to sing “Save Rock and Roll,” that burst into flames as well. There was also a video intro by actor Ron Livingstone that he delivered like Rod Serling of The Twilight Zone.

Fall Out Boy @ Hella Mega Tour, Dallas

Natalie Perez

 

Their set featured just a single song from 2018’s Mania (“The Last of the The Real Ones”) and was instead a journey through their hits, including relatively recent ones like “Uma Thurman” and “Centuries” and vintage ones like “Dance, Dance” and “A Little Less Sixteen Candles, a Little More Touch Me.” The younger members of the crowd sang along to every word, while the older ones sipped their beers and looked on respectfully.

Fall Out Boy wasn’t a band that seemed built for the long run when they broke big with teens in 2005. And when they took an indefinite break in 2009, it was easy to imagine them going the way of Gym Class Heroes. But they had one of the most surprisingly successful second acts in rock history, and this tour could be the start of a third one since it is basically establishing them as a classic rock group. Who would have guessed?

By the time Green Day took the stage, the sun was down and the crowd was primed for the main event. An explosive “American Idiot” got things started, and they kept the intensity up by going right into “Holiday” and “Know Your Enemy.” Their album Father of All… hit just a little over a year ago, but they didn’t play a thing from it. It was instead classics like “Longview,” “Welcome to Paradise” and “Brain Stew,” and they caused the GA area near the stage to erupt into a giant mosh pit straight out of 1994. A large group of bros even ripped their shirts off and started slamming into each other and everyone near them, letting off 18 months of lockdown steam in a few crazed minutes of Dookie chaos.

Green Day @ Hella Mega Tour, Dallas

Natalie Perez

Selections from American Idiot were sprinkled through the entire set, including an epic “Jesus of Suburbia” and a moving “Wake Me Up When September Ends.” These songs were written for the George W. Bush era, but they don’t seem like relics in any way. We’ve only grown more idiotic as a nation since W’s term ended, and these songs are now timeless anthems.

Near the end, they broke out “Still Breathing” from 2016’s under-appreciated Revolution Radio. It’s about finding meaning in life after difficult times, and it had a newfound resonance in the Covid era. “I’m like a soldier coming home for the first time,” Armstrong sang. “I dodged a bullet, and I walked across a landmine/Oh, I’m still alive.”

It was a joy to sing along with those words, and it was a joy to experience live rock and roll in a stadium after all this time. We don’t know what the next few months may hold, but at least for one glorious night, we were all still breathing, and still singing.

Kanye West, the artist and producer now going by Ye, stepped back onto a Los Angeles stage focused purely on the music during night one of his two show run at SoFi Stadium in Inglewood, California on Wednesday, April 1. The return arrives after years filled with controversy, public scrutiny, personal struggles involving mental health, and his January apology published in The Wall Street Journal addressing his antisemitic comments. Showing unusual restraint, the outspoken performer chose not to address any of the criticism during what marked his first major U.S. performance in years.

Public backlash did little to slow the momentum of the event as thousands of supporters filled the venue floor and stands. Many arrived dressed in Kanye merchandise, avoiding controversial imagery, along with lucha style shirts fresh from the merch counters. A look at ticket prices shows Ye continues to command major revenue from his catalog despite his offstage controversies. According to Ticketmaster, general admission tickets for the April 3 show were listed at $537.80. Resale listings for upper tier seats, which offered clearer views of his half sphere inspired stage design, were also priced in the hundreds. Fans who could not attend in person were able to watch through a livestream that appeared on his Instagram just hours before the performance began.

Across a two hour performance, Ye delivered a wide ranging set filled with classic favorites, repeated tracks, and selections from his recently released twelfth album Bully. Wearing a black face covering, he walked alone across the curved stage structure designed to resemble Earth and at moments gave the impression of a solitary figure on his own world.

The crowd reflected different generations of listeners as younger fans sang along to newer tracks such as “FATHER” and the André Troutman collaboration “ALL THE LOVE.” Energy spiked when a mosh pit formed during “Blood on the Leaves.” Older millennial fans found their nostalgia during a sequence of songs spanning Kanye’s early and mid career from 2004 through 2016, from The College Dropout through The Life of Pablo. Songs like “Can’t Tell Me Nothing” and “N—-s in Paris” echoed through SoFi Stadium with the same intensity as when Graduation or the Jay Z collaboration Watch the Throne first arrived. “Say You Will” and “Heartless” from 2008’s 808s & Heartbreak brought back familiar feelings tied to heartbreak and the era when Auto Tune shaped the sound of pop and hip hop. The closing stretch featuring “All Falls Down,” “Jesus Walks,” “Through the Wire,” “Good Life,” “All of the Lights,” and the emotional finale “Runaway” sparked a sense of longing for earlier days both for fans and for the Chicago native himself.

Aside from the nostalgic song choices, technical problems occasionally interrupted Ye’s creative plans. Early performances of “KING” and “THIS A MUST,” which he later repeated, were affected by microphone and audio complications. He also stopped “Good Life” three separate times because he was unhappy with what he called the “corny” lighting setup. “Is this like an SNL skit or something?” he asked the production team. “Stop doing the vibrating Vegas lights, bro. We went over this in rehearsal.” The first SoFi Stadium show almost felt like a preparation run for the April 3 performance, which also happens to land on Good Friday. The timing also recalls the G.O.O.D. Friday song releases that led into his landmark 2010 album My Beautiful Dark Twisted Fantasy.

Despite frustrations with the production, Ye did not perform alone. Longtime collaborator Don Toliver joined him onstage for performances of “Moon” and his own track “E85.” Ye’s daughter North also appeared, bringing bright energy and her blue hair to performances of “Talking” and “PIERCING ON MY HAND.” She wore one of her father’s concert shirts during the appearance, all while it was still a school night.

As the concert continued, Ye handled the technical setbacks as they happened without turning the situation into a rant. For longtime fans, separating his unpredictable public behavior from his extensive catalog of influential songs remains complicated, especially for those who still feel connected to his earlier creative periods. At the same time, his former close collaborator Jaÿ Z is preparing for his own stadium appearances this summer, which adds another layer of reflection about what their partnership once represented. Ye may be staying quiet publicly for now, yet questions remain about whether a full redemption era could still be ahead.

Ye 2026 Set List

1. KING
2. THIS A MUST
3. FATHER
4. ALL THE LOVE
5. Father Stretch My Hands, Pt. 1
6. Can’t Tell Me Nothing
7. N—-s in Paris
8. Mercy
9. Praise God
10. Black Skinhead
11. On Sight
12. Blood on the Leaves
13. Carnival
14. Power
15. Bound 2
16. Say You Will
17. Heartless
18. Moon (with Don Toliver)
19. E85 (Don Toliver)
20. KING
22. THIS A MUST
22. FATHER
23. ALL THE LOVE
24. Talking (North West)
25. Piercing On My Hand (North West)
26. Everybody
27. All Falls Down
28. Jesus Walks
29. Through the Wire
30. Good Life
31. All of the Lights
32. Runaway

This article was originally published on VIBE.

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