Harry Styles wins the Mastercard British Single award for Watermelon Sugar during The BRIT Awards 2021 at The O2 Arena on May 11, 2021 in London.
JMEnternational for BRIT Awards/Getty ImagesLONDON — The U.K. live industry has turned to legal action to try to force the government to publish its findings into how venues and festivals can safely reopen.
In April, the British government launched its Events Research Program (ERP) to study the risk of transmission of COVID-19 at a range of live music and sporting events. Although it made some of the scientific data gathered from the test shows public, the government has yet to publish its full report. That leaves the U.K. live industry facing “the real chance that the entire summer could collapse for the second year running,” says Stuart Galbraith, head of Kilimanjaro Live and co-founder of U.K. live music body LIVE.
To try and prevent that outcome, LIVE and six other parties, including Andrew Lloyd Webber’s Really Useful Group, have filed papers in the British High Court requesting the immediate disclosure of the full ERP report and any countervailing material.
The legal application lists the U.K. culture and health secretaries as proposed defendants and says the basis for maintaining the audience number restrictions in the U.K. remains “unclear.”
The claimants cite initial results from the first phase test events as evidence that with proper precautions in place, live events at full capacity can go ahead safely. Test events included two club nights in Liverpool, attended by 6,000 people; a 5,000-capacity outdoor concert, also in Liverpool, headlined by Blossoms; and the Brit Awards at London’s The O2 arena on May 11, where a live audience of 4,000 people attended without masks or social distancing. More recently, a scaled-back version of Download Festival in Leicestershire on June 18-20 in front of 10,000 rock and metal fans participated in the test program.
Audience members submitted to enhanced COVID-19 testing before and after each event.
According to data published by Liverpool City Council last month, 11 people tested positive for COVID-19 after attending the club and live music events and there was no detectable spread of the virus.
The Brit Awards resulted in no positive cases, culture secretary Oliver Dowden told The Evening Standard newspaper on May 25.
“We struggle to understand why these trials took place if the government can't now tell us the results and how that will affect all of us,” musician and festival operator Peter Gabriel says in a statement supporting the legal action.
Gabriel says the U.K. festival industry is “on the brink of collapse” and that he would soon be forced to take the “heart-wrenching decision” to cancel his WOMAD world music festival, scheduled for July 22-25 in Wiltshire, due to a lack of government support.
Lloyd Webber called the situation “beyond urgent” and said the government’s actions “are forcing theatre and music companies off a cliff.”
The U.K. was due to move to step 4 of the government’s roadmap out of lockdown on June 21 -- dubbed “freedom day” by the British press -- when music venues and nightclubs would be able to reopen without capacity limits or social distancing measures. However, a significant rise in coronavirus cases of the Delta variant led Prime Minister Boris Johnson to push back the reopening to July 19.
In a response to Billboard about the legal action, a government spokesperson says the Events Research Program is subject to “a comprehensive and rigorous coordination and approval process” and the report will be published before the move to Step 4 “as we have always promised to.”
Live execs, however, fear that will be too late to save most summer music events. According to research carried out by LIVE, around 5,000 live music gigs will be cancelled because of the four-week delay to reopening. Festivals that have been pulled since the delay was announced include Kendal Calling, Truck Festival and Beyond the Woods.
Execs believe those cancellations -- and many more before them -- could have been prevented had ministers listened to industry calls for a government-backed insurance scheme offering protection for events unable to go ahead because of the coronavirus.
“Even now, the live music sector has no idea what the rest of the summer brings,” says Galbraith, “and we are left with a complete inability to plan ahead.”
NEWS
Mustard has seemingly hit back at comments from Drake‘s producer Gordo, with a little help from JAY-Z.
Gordo, who worked on several Drizzy albums including $ome $exy $ongs 4 U, For All the Dogs and Honestly, Nevermind, called out the “Not Like Us” hitmaker this week after noticing that he was no longer following him on social media.
“omg just noticed mustard unfollowed me on ig…. Sad day,” he wrote sarcastically on X. “headlining chella must of got to his head.”
Despite unfollowing Gordo, Mustard appeared to catch wind of his post and issued a snarky yet subliminal response on Instagram.
Alongside a caption which read: “We not the same,” the producer posted a video of JAY-Z in an interview saying: “Are you kidding me? Who are you guys talking to? What have you done to even have an opinion on what I been doing? You done nothing to even have an opinion.”
Swipe below to see the clip.
Mustard hasn’t exactly been quiet about his disdain for Drake throughout the 6 God’s beef with Kendrick Lamar which erupted last year.
The multi-platinum producer and DJ graced the stage at Tyler, The Creator‘s Camp Flog Gnaw last November, where he surprised the crowd by appearing to cue up Drizzy’s Take Care hit “Crew Love” with The Weeknd.
Before the song could kick into gear, however, Mustard jumped on the mic and yelled, “Sike!” before quickly pivoting to Kendrick, Future and Metro Boomin‘s “Like That,” the blistering collaboration that ignited the heated feud between the Hip Hop titans.
In an interview with the Los Angeles Times months earlier, the 10 Summers hitmaker took a shot at Drake’s character while ruling out a reunion with his “Who Do You Love?” collaborator.
“I don’t think I want to make a song with that dude. He’s a strange guy,” he said matter-of-factly.
Mustard would also offer Drake some advice on how to bounce back from the beef, saying to Big Boy: “I’m not speaking at Drake or for him, but a lot of shit that’s going on — the tactics, the things that you do just to get attention. You don’t need to do that. Just make music, man. Make good music and you’ll be fine.”
Mustard also made a surprise appearance during Kendrick Lamar’s historic Super Bowl halftime show performance, joining the Compton superstar for his climactic rendition of “TV Off” which he also produced.
