Olly Murs performs on stage during McDonald's I'm Lovin' It Live at The Printworks on Oct. 31, 2020 in London.
Dave J Hogan/Getty ImagesLONDON — Just a few months ago, the United Kingdom looked primed as the European market best placed to restart live music this summer. On Monday, those hopes were dealt a serious blow when Prime Minister Boris Johnson announced that COVID-19 lockdown restrictions will be extended by four weeks, following a rapid rise in cases of the virus' Delta variant.
The U.K. had been due to move to Stage 4 of the government’s roadmap out of lockdown on June 21 -- dubbed “freedom day” by the British press -- when music venues and nightclubs would be able to reopen without capacity limits and all social distancing measures would legally end.
Speaking at a Downing Street press conference, Boris Johnson said the lifting of restrictions will be delayed until July 19 to allow more Brits to be vaccinated and help curb the fast-growing rise in infections. The prime minister said the decision would be monitored on a daily basis and, if after two weeks, the risk has diminished, “then we reserve the possibility of proceeding to step four and a full opening sooner.”
According to the latest data, just under 30 million people in the U.K. have had both vaccine doses, equivalent to 57% of the adult population, and 41 million people have had one dose, or 79% of adults.
On Monday, the U.K. recorded 7,742 new cases of COVID-19 and the seven-day case average rose 45% compared with the week before. The Delta variant, which was first identified in India, now accounts for 90% of new infections in the U.K.
A four-week extension to lockdown restrictions will have a "devastating” impact on the sector, leading to the cancellation of more than 5,000 planned music events and costing “hundreds of millions of pounds” in lost income, says U.K. umbrella industry association LIVE.
That will lead to the U.K. live industry “being left behind and irreversibly damaged” compared to the U.S. and European markets like the Netherlands, Denmark and Belgium, where large full-capacity shows are set to return this summer, says LIVE CEO Greg Parmley.
Already this year, more than a quarter of U.K. festivals with capacities of 5,000 or more have been canceled, including Glastonbury, BST Hyde Park and Download. Of the remaining events still going ahead this summer, the majority have pushed back their dates to August and September, although a small number are scheduled to run ahead of July 19, the revised earliest possible date when restrictions will be lifted.
They include Black Deer Festival in Kent, taking place June 25-27 -- headlined by Van Morrison, Jake Bugg and Frank Turner and the Sleeping Souls -- and Noisily Festival in Leicestershire 8-12 July (organizers of Noisily have already said dates will be rescheduled if government advice changes).
According to the Association of Independent Festivals, the delay in the easing of lockdown restrictions will result in 86% of U.K. festivals not being able to take place in 2021.
Standalone live shows scheduled to take place in the U.K. over the next five weeks include indoor and outdoor concerts by Olly Murs, Tom Odell, Rag'n'Bone Man, Beverley Knight, McFly, Alexandra Burke and Rudimental. Promoters are yet to say if those shows will be rearranged or will take place in front of reduced capacity crowds.
“This delay is catastrophic for the live music industry,” says UK Music chief executive Jamie Njoku-Goodwin. He warned of a “very real risk now of permanent damage to our sector in terms of a loss of talent and expertise.”
To help prop up the U.K. live industry, Njoku-Goodwin is calling for immediate economic support and a government-backed insurance scheme to help event organizers plan for the risk of COVID-19-related cancellations, similar to what exists in the Netherlands, Austria and Germany.
Unaffected by the four-week delay in easing restrictions is a sold-out 10,000-capacity, three-day "Download Pilot" festival run by Festival Republic/Live Nation -- headlined by Frank Carter & The Rattlesnakes, Bullet For My Valentine and Enter Shikari -- taking place June 18-20 as part of the government's Events Research Program, a series of pilot concerts looking at how small and large-scale events can safely resume.
The first phase of the program saw two club nights take place in Liverpool and a one-day music festival, headlined by Blossoms, in front of 5,000 fans. Those events led to only a handful of positive coronavirus infections among ticket holders, according to public health officials. That news, however, will come as little comfort to venue and nightclub owners who are still unable to reopen their doors 15 months after the start of the pandemic.
According to the Night Time Industries Association, one in four U.K. businesses will not survive longer than one month without further government support and 50% will survive no longer than two months. Michael Kill, the association’s CEO, says the delay to end restrictions would increase pressure on club and venue owners already overburdened with debt and “drive confidence in the sector to a new low.”
Echoing those concerns is British theatre impresario Andrew Lloyd Webber, who has threatened legal action against the government over the lockdown extension and vowed to open previews of his latest West End musical, Cinderella, on June 25 – regardless of official rules.
PETA has called on Cage The Elephant to temporarily change their name ahead of their upcoming NFL halftime performance in Munich later this week.
The band are scheduled to perform during the New England Patriots vs. Detroit Lions game this Sunday (November 15).
Ahead of the show, PETA has asked Cage The Elephant to change their name across their social media accounts to Free The Elephant for one week.
According to a press release from the animal rights group, an elephant named Okha “has spent most of her life forced to perform in the circus under the threat of punishment”. The organisation is now seeking support to “help retire her to a reputable sanctuary”.
PETA also alleges that Okha is “currently being hauled around in a trailer with an exhibitor, Brian Franzen”, who supposedly “has a history of felony cruelty to animals charges” and “was caught on camera yanking and striking an elephant with a bullhook”.
In a letter addressed to Cage The Elephant, PETA wrote: “There ain’t no rest for Okha. We think you’d agree that she deserves the chance to spend her remaining years in peace with care, dignity, and respect.
“Lending a rendition of your iconic name for a short while could… help us come a little closer to ending animal cruelty in circuses.”
PETA added that it has already held more than “30 demonstrations on Okha’s behalf, contacted venues hosting animal acts, and rallied tens of thousands of supporters to call for her retirement”.
The group is also asking the public to “call on venues to stop hosting circuses that use animals and help retire Okha to a reputable sanctuary where she could roam expansive habitats, forage, receive expert veterinary care, and have the companionship of other elephants”.
Cage The Elephant have not yet made a public statement about the request, and NME has reached out to the band for a response. Franzen has also not issued a public response to the allegations made by PETA.
The request follows a previous approach by PETA to Led Zeppelin frontman Robert Plant, asking him to temporarily adopt the name ‘Robert Plant Wool’ to help promote alternatives to sheep’s wool.
PETA has also previously urged Nintendo to redesign the popular Mario Kart World character Cow, claiming that its current appearance encourages animal cruelty.
Meanwhile, Cage The Elephant recently revealed details of their upcoming album ‘Dying In Reverse’, which is set to arrive on February 5, 2027, through Big Loud Rock. Fans can pre-order the record here.
The band are also preparing for a UK and European tour in 2027. You can check out the full list of dates here and find any remaining tickets here.
