Alicia Keys

Milan Zrnic

Just in time for the 20th anniversary of Alicia Keys' debut studio album, Tidal is celebrating Songs in A Minor in June with commentary from the artist herself as well as her collaborators, and Billboard has the first look. In an exclusive video, Keys unlocks the stories behind the track "Rock Wit U" and working with the legendary Isaac Hayes.

"One of my favorites is 'Rock Wit U,'" Keys shares at the beginning of the video. She goes on to reveal how, as a young artist, she had no clue how to put a record together to sound the way she imagined. Her solution? Listening to her favorite artists' releases and studying "the back of the album" to try to understand producing.

One of those favorites whom she studied was none other than Hayes. "Isaac Hayes was one of the most amazing arrangers and producers of all time, period," she insists. "And 'Rock Wit U' was definitely inspired by his style of creating music -- of that real '70s energy, that '70s vibe, a lot of kind of guitar, and you had strings, and you had long intros and you had very dramatic music around the song."

Keys adds that once the song was written, she really wanted the "Don't Let Go" singer to work on it. "Now, what would make Isaac Hayes want to arrange the strings for a new artist nobody had even heard of? I'm not sure, but he felt the energy, he felt the vibe, and he personally came into my session," she shares in Billboard's exclusive clip. The 15-time Grammy winner reveals that Hayes brought 16 to 32 string players into the mix for her song, requiring them to get a big space in New York City to work.

"He came in and had the whole arrangement for it ... I got to sit there -- my little 17-year-old self -- and I got to bear witness to the genius of Isaac Hayes as he arranged the most beautiful arrangement of strings I ever heard in my life, for my song, on my first album, Songs in A Minor, 'Rock Wit U,'" gushed the singer-songwriter. "I was in awe."

"When you listen to those strings on 'Rock Wit U' on Songs in A Minor, that is the maestro, the one and only Isaac Hayes," she continues. "I'm never never never going to forget that."

Songs in A Minor peaked at No. 1 on the Billboard 200 in July 2001, and remained on the chart for an impressive 70 weeks. And in August 2020, it reached 7x platinum status with the RIAA.

Watch Keys recall working with Hayes on "Rock Wit U":

In addition to Keys, Tidal will release videos featuring her Songs in A Minor collaborators Jermaine Dupri, Kandi Burruss, Kerry "Krucial" Brothers and Peter Edge on Saturday (June 5), timed not only to the album's two-decade mark, but also the news of the 20th anniversary edition of the set. The celebratory deluxe version -- which is expected to ship in December -- will include two previously unreleased bonus tracks: "Foolish Heart" and "Crazy (Mi Corazon)," both from the original Songs in A Minor recording sessions.

Noted Jason Kpana, Tidal's SVP of artist relations, of the streaming service's "deep-dive" into the album's creation: "Alicia Keys is one of the greatest performers and songwriters of our time. It's only fitting that Tidal commemorates her musical accomplishments as we arrive upon the 20th anniversary of Songs in A Minor, her debut album that took the world by storm."

Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".

The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.

Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.

After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.

"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.

 

 

"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."

Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.

The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.

"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."

Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".

Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.

"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."

The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."

The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."

Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."

During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.

The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".

 

Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.

Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.

The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".

Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.

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