NEWS
During a recent appearance on The Leona Graham Podcast, Embrace frontman Danny McNamara looked back on the unusual story behind the band's 2004 single "Gravity," a song that was ultimately handed over to them by Coldplay singer Chris Martin.
"The Gravity story, it all starts on Angelina Jolie's spaceship," McNamara explained. The memorable moment happened around two decades ago in the parking area of a major film studio just outside London. Coldplay had been visiting the set of the sci fi adventure film The Sky Captain and the World of Tomorrow when the two musicians found themselves sitting atop a giant replica spacecraft. "Me and Chris from Coldplay, we were sat on this huge mock-up of a spaceship... about the size of about five double-decker buses. It was like gold and green and red, and we were sat on it in the car park in the midday sun playing each other songs on an acoustic guitar."
After McNamara played Martin a new Embrace song called "Ashes," the Coldplay frontman returned the favour by sharing a track that had not yet been released. "He played me 'Gravity.' And I just thought, 'Wow, that's like an amazing song.' It's up there with like 'Fix You' or 'The Scientist.' For me, it's like one of the best ballads they've ever written."
Some time later, McNamara received a surprise phone call from Martin late one evening. Gwyneth Paltrow, who was married to the singer at the time, could be heard encouraging him in the background. "Gwyneth was in the background saying, 'Go on, ask him. Ask him.' So anyway, he says, 'You know Gravity?' And I said, 'Yeah.' He said, 'Do you want it?'"
At first, McNamara was reluctant to accept the offer because he worried the attention surrounding Martin's involvement might take focus away from Embrace's comeback album, Out of Nothing. "My thought was like, 'I don't want this to be overshadowed by Chris offering us this song,' so initially I was sort of thinking no. But then I thought, 'Hang on a minute. He's the biggest rock star in the world. What are you doing?'" Curious about why Martin was willing to part with the song, he asked him directly and was told, "Well, I think it sounds too much like Embrace for us to use."
The experience only strengthened the admiration McNamara has held for Martin over the years. Rejecting the common perception that the Coldplay star is predictable or ordinary, he described him as one of the most captivating people he has ever encountered. "That guy is one of the most interesting, charismatic and fun to be around people I've ever met, if not the most," McNamara stated. "I've met a lot of people in my life, a lot of people even more famous than him, and he is far and away the most interesting person. Whenever he's there, I just stand back and just like let him shine. I love him to bits."
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
