NEWS
Shirley Manson is set to take over curating duties for the Teenage Cancer Trust 2027 concert series, stepping into the role for next year’s Royal Albert Hall shows after Robert Smith led the 2026 edition.
The charity shared the update on Tuesday 28 April 2026, introducing the Garbage frontwoman as just the second guest curator the event has ever had.
To celebrate the reveal, Teenage Cancer Trust also dropped a video capturing Garbage’s standout performance of Lovesong by The Cure, taken from their set at this year’s shows.
Manson is following a legacy shaped by Roger Daltrey, who created and oversaw the week long fundraising concerts from 2000 through 2025, and Smith, who curated the 2026 line up.
Smith’s run featured performances from Wolf Alice, Elbow, Manic Street Preachers, My Bloody Valentine, Mogwai and Garbage, along with a sold out comedy night, helping generate £1.4 million so far in support of young people facing cancer across the UK.
Speaking about the opportunity, Manson said: “To follow in the footsteps of the great Sir Roger Daltrey and most beloved Robert Smith by being invited to curate next year’s run of shows is one of the greatest honours that has ever been bestowed upon me.
"I consider it an immense privilege to continue helping raise funds and awareness for our all too often forgotten teenagers in the UK who are living with cancer and the struggle that this entails.
"I hope to curate a fine week of entertainment, calling upon some of my favourite artists to join the cause.
"I am so looking forward to seeing it all come together at the Royal Albert Hall next year and I hope to see you there.”
Smith also spoke highly of Manson while reflecting on the success of this year’s concerts, saying: “Having played a few Teenage Cancer Trust at the Royal Albert Hall shows with The Cure, it was a real honour to curate the series in 2026, bringing together so many of my favourite artists to perform for such a great cause.
"The response and support from the audience, in the hall itself and all around the world, was really incredible.
"Garbage were one of the highlights of a stellar week, and I am very sure Shirley, with her great energy, commitment and values, will do a fantastic job in 2027.”
Daltrey also reacted to the announcement, saying: “To have a female musician with a great reputation for quality work is something that's been at the top of my wishlist going forward.
"I will always be there for her if she needs any help with anything.”
The 2027 Teenage Cancer Trust concerts are scheduled to take place from March 15 through 21 at the Royal Albert Hall, with the full line up expected to be announced soon.
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
