NEWS
Barry Keoghan has opened up about his experience filming the upcoming The Beatles biopic, saying the actors he is working with have become like “brothers” to him.
Read More: ‘Peaky Blinders: The Immortal Man’ review: Tommy Shelby is back in business
The Irish performer is set to portray Ringo Starr in a series of four films arriving in 2028. Each movie will focus on a different member of the legendary group, with Sam Mendes directing the full project. Alongside Keoghan, Paul Mescal will take on the role of Paul McCartney, Joseph Quinn will play George Harrison, and Harris Dickinson will step in as John Lennon. The first official photos showing the cast in character were also unveiled recently.
During an appearance on Sirius XM’s The Julia Cunningham Show, Keoghan spoke about the unusual concept behind the project and shared his excitement about being involved. “It’s going to be an event and you know and we knew that coming on board,” he explained. “What an exciting event to be part of, and no better filmmaker to do it than Sam, you know, so I’m having an absolute fucking brilliant time and elevating my craft and, you know, making brothers as well on set.”
Keoghan also appeared on the programme to talk about his latest movie, Peaky Blinders: The Immortal Man, which is streaming on Netflix starting today. He also reflected on another successful project from his career, 2023’s Saltburn, and how the memorable scene set to Sophie Ellis Bextor’s ‘Murder On The Dancefloor’ continues to follow him. “They played it three times at the Vanity Fair (Oscars party),” he said. “I was like, ‘Okay. We get it.’ Honestly, three times. You know, I was like, ‘What are they doing?’”.
Earlier this year, Barry Keoghan also likened his role as Tommy Shelby’s son in the Peaky Blinders film to the journey of Simba in The Lion King. “Honestly!” he told Empire Magazine. “The Lion King was one of the ones that, for me, had that animalistic, father and son approach to it.”
In a previous interview, he also admitted he felt intimidated when he first met Ringo Starr while preparing for the role.
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
