Kim Kardashian has shared that Kanye West played Queen’s ‘Bohemian Rhapsody’ at the exact moment their daughter North West entered the world.

Speaking this week on her sister Khloé’s podcast Khloé In Wonder Land on January 21, she looked back on how Ye took control of the music while she was in labour with her first child in June 2013.

“She knew what she wanted since the moment she was born,” Kardashian said. “Getting born to the song ‘Bohemian Rhapsody’. Kourtney and I talk about this all the time. Kanye was DJing, so he put on ‘Bohemian Rhapsody’ for the moment she came out.”

“And isn’t it so her?” she added. “Kourtney and I cry laughing thinking of this moment and how it’s just so like her, you know? That’s such a weird fact. When I listen to it, I just, like get [emotional].”

North West’s musical journey continues to gather pace. Last week, she teased a new collaborative track with her father titled “Piercing On My Hand (Ye Version)”, which features her delivering lines including: “No friends, just filter, you wouldn’t understand / Shopping in Japan, that’s where I always stand / Went to school for two days, then I got banned / Skipping school, yeah, I do it on the daily.”

She also appeared on FKA Twigs’ ‘Childlike Things’ from last year’s album Euxesua, where North can be heard singing in Japanese. Twigs explained that she wanted North on the track because her “energy is so inspiring”, adding: “It needs someone who has that tenacity, who has that strong point of view that you have when you’re 11.”

The youngster also took to the stage in 2024, performing ‘I Just Can’t Wait To Be King’ at the live production of The Lion King at the Hollywood Bowl. Later that year, she revealed she was working on her debut album, titled ‘Elementary School Dropout’, a nod to her father’s 2004 record The College Dropout, which has yet to see an official release.

North has also added a verse to ‘Talking’ and ‘Vultures’, songs from Ye’s 2024 joint album Vultures 1 with Ty Dolla $ign, and joined her father on stage in Paris that February for a live performance of the former.

As for Ye, he is preparing to release his 12th studio album BULLY on January 30, following a surprise announcement made during a comedy show at the Hollywood Improv last month. His team have also recently addressed rumours surrounding potential AI involvement on the record.

Earlier on Friday, Jan. 30, news reports announced an upcoming Netflix documentary exploring the early years and success of the Red Hot Chili Peppers and the impact of the band’s original guitarist Hillel Slovak, who died in 1988 of an accidental heroin overdose.

Directed by Ben Feldman, Variety reported that The Rise of the Red Hot Chili Peppers includes input from members Anthony Kiedis and Flea and is set to premiere on March 20. “At its heart, this is a deeply relatable story — about the friendships that shape our identities and the lasting power of the bonds forged in adolescence,” Feldman said in a statement at the time. “What’s less relatable, of course, is that here those friends went on to create one of the greatest rock bands in history. I’m profoundly grateful to the band and to Hillel’s family for their trust and generosity, and to Netflix for helping bring this story to the world stage.”

However, following the announcement, the band later released their own statement distancing themselves from the project. “About a year ago, we were asked to be interviewed for a documentary about Hillel Slovak. He was a founding member of the group, a great guitarist, and friend. We agreed to be interviewed out of love and respect for Hillel and his memory,” wrote the band in a post shared on social media. “However, this documentary is now being advertised as a Red Hot Chili Peppers documentary, which it is not,” they clarified. “We had nothing to do with it creatively. We have yet to make a Red Hot Chili Peppers documentary. The central subject of this current Netflix special is Hillel Slovak and we hope it sparks interest in his work.”

The group originally encompassed Slovak, Kiedis, Flea, and drummer Jack Irons. It has since gone through several iterations following Slovak’s tragic death, with Irons leaving the group soon after.

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