NEWS
A$AP Rocky has finally released Don’t Be Dumb following years of build up and repeated delays. It is a project fans have been anticipating for a long time, and there is little question that Rocky came through with a fully realised body of work.
The response to the album has been divided so far, which was always likely. Much of the conversation online has been shaped by Rocky’s long running tension with Drake. Fans of Drizzy have reportedly organised themselves to criticise Don’t Be Dumb, and the reasoning behind that reaction is not hard to understand.
There are several moments on the album where Rocky appears to direct pointed remarks at Drake. Although he recently suggested that listeners should not overanalyse his lyrics, the hostility between the two artists still feels present and unresolved.
The earliest hint of Rocky’s frustration with Drake surfaces on the track “Stole Ya Flow,” which appears near the start of the album. On the song, he raps about stolen styles, cosmetic surgery rumours, and having his reputation dragged through the mud. The parallels are hard to ignore, especially when paired with references that many listeners link to Rihanna, making the verse feel particularly cutting.
"First you stole my flow, so I stole yo' btch / If you stole my style, I need at least like ten percent [...] Nas getting BBLs, lucky we don't body shame / Throwin' dirt on Rocky name, turn around and copy game [...] First you was my bro, py n**a switched / Turned into a opp, fck his block, he a btch"
Rocky continues down this path on “No Trespassing,” where he alludes to Drake’s relocation to Texas and frames it within a wider narrative of rivalry and distrust.
"Nas lookin' jealous, see it in his eyes Nas actin' desperate, you ain't gotta lie / I might move to Texas, roll 'round with protection, pull up to your section, hit 'em with the fire"
Later on “Playa,” Rocky shifts the focus to themes of fatherhood and stability. He boasts about raising his child and avoiding messy personal situations, topics that critics have frequently used when discussing Drake.
"Takin' care of your kids, boy, that's player sht / One btch, boy, that's player sht / No baby mama drama, no new friends, boy, that's player sht"
All signs point to lingering tension between the two artists, and it does not seem likely to disappear anytime soon. Whether Drake chooses to address the situation publicly or musically is still an open question.
NEWS
Sharon Osbourne has revealed she is holding early discussions about bringing Ozzfest back in 2027 as a tribute to her late husband Ozzy Osbourne.
The iconic metal festival was last staged as a full standalone event in 2018, followed by a one off New Year’s Eve show in 2019. Sharon now feels interest in a proper return is stronger than ever and says initial talks are already underway with Live Nation. Her vision is for a comeback that is larger in scale, more inclusive in sound and truly international in reach.
Speaking to Billboard, she said: “It was something Ozzy was very passionate about: giving young talent a stage in front of a lot of people. We really started metal festivals in this country. It was [replicated but] never done with the spirit of what ours was, because ours was a place for new talent. It was like summer camp for kids.”
Sharon has also made it clear she wants the festival to grow with its audience, suggesting the next version of Ozzfest could reflect modern listening habits by opening the door to a wider range of sounds beyond traditional metal.
She later added: “I’d like to mix up the genres.”
Should the plans come together, Ozzfest would once again travel internationally, recalling its late nineties and early two thousands peak when it became both a launching pad for emerging bands and a major platform for established heavy acts.
In an earlier episode of The Osbournes Podcast, Ozzy, who died in July 2025 aged 76, asked whether the festival could ever return. Sharon responded without hesitation: "Yeah, sure. Of course."
Their daughter Kelly then raised the issue of rising booking fees, suggesting that managers need to be more realistic when negotiating festival appearances.
Sharon responded: "Why is it when it comes to us that everybody thinks that we are trillionaires, and so that every manager who wants their band on our festival wants one of the trillions they think we’ve got to put on the festival?”
Ozzfest was originally founded by Ozzy and Sharon in 1996, at a time when she was also managing the Black Sabbath frontman, and began life as a two day event.
A year later, the festival expanded into a touring format, although by the time it returned in 2018 it had been scaled back to a single night at The Forum in Inglewood, California.
That final edition featured Ozzy at the top of the bill alongside artists such as Rob Zombie, Marilyn Manson and Korn’s Jonathan Davis.
