Joe Budden has never been the type to shy away from making people react online. The rapper turned podcaster sparked another round of conversation this weekend while he and the JBP crew talked about Megan Thee Stallion. During her defamation trial involving blogger Milagro Gramz, a Roc Nation staff member revealed that Megan once received an opportunity from the Call Of Duty video game franchise.

After she discovered she would be presented as a character players could shoot at, she turned the offer down. "That triggered her and she full stop said ‘I’m not doing this," Senior VP of Branding and Strategic Partnerships at Roc Nation Daniel Kinney explained.

Joe Budden and the rest of the team agreed that Megan had every reason to make that choice. The conversation shifted, however, once Joe added his own thought. "I do not even play Call Of Duty, I would have bought it off the strength."

Many people viewed that remark as an inappropriate joke tied to a serious situation. Those critics assumed Joe was suggesting he would purchase the game because it might allow players to shoot or "kill" Megan. For nearly a full day, he did not offer any follow up to clear up what he meant.

A recently surfaced audio clip from the JBTV After Hours show finally gives some clarity from Budden himself.

In the audio, Joe admits that his timing was "ill timed" and makes it clear that he is not attempting to defend the remark. He also explains that he did not say it for the purpose of cracking a joke.

His reasoning was the following: "If one of the number one games is trying to put you in as a shootable character, then that must have had data that says that will get a causal fan to the store, just for that reason."

He adds more context by saying, "So, I said as someone who does not play the game, I would go get the game. Again, maybe ill timed, but it was not so jokey jokey."

People are still pushing back on his comments, stating that he is simply trying to talk his way around what he said and that he did not truly mean any of this. As he also mentions in the clip, "There are a lot of agendas being pushed, none of them being mine."

In the end, listeners can either accept his explanation or dismiss it and disagree.

Megan's trial began on Thursday, November 20, in a Miami federal courtroom. She took the stand for roughly two hours that day, defending her belief that Milagro Gramz "created a space for a lot of people to come speak negatively about me." On Friday, November 21, Gramz' legal team cross examined her and challenged the strength of her claims.

There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.

If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.

On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.

It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.

While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.

He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”

That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.

Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.

The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”

Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.

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