NEWS
Joe Budden has never been the type to shy away from making people react online. The rapper turned podcaster sparked another round of conversation this weekend while he and the JBP crew talked about Megan Thee Stallion. During her defamation trial involving blogger Milagro Gramz, a Roc Nation staff member revealed that Megan once received an opportunity from the Call Of Duty video game franchise.
After she discovered she would be presented as a character players could shoot at, she turned the offer down. "That triggered her and she full stop said ‘I’m not doing this," Senior VP of Branding and Strategic Partnerships at Roc Nation Daniel Kinney explained.
Joe Budden and the rest of the team agreed that Megan had every reason to make that choice. The conversation shifted, however, once Joe added his own thought. "I do not even play Call Of Duty, I would have bought it off the strength."
Many people viewed that remark as an inappropriate joke tied to a serious situation. Those critics assumed Joe was suggesting he would purchase the game because it might allow players to shoot or "kill" Megan. For nearly a full day, he did not offer any follow up to clear up what he meant.
A recently surfaced audio clip from the JBTV After Hours show finally gives some clarity from Budden himself.
In the audio, Joe admits that his timing was "ill timed" and makes it clear that he is not attempting to defend the remark. He also explains that he did not say it for the purpose of cracking a joke.
His reasoning was the following: "If one of the number one games is trying to put you in as a shootable character, then that must have had data that says that will get a causal fan to the store, just for that reason."
He adds more context by saying, "So, I said as someone who does not play the game, I would go get the game. Again, maybe ill timed, but it was not so jokey jokey."
People are still pushing back on his comments, stating that he is simply trying to talk his way around what he said and that he did not truly mean any of this. As he also mentions in the clip, "There are a lot of agendas being pushed, none of them being mine."
In the end, listeners can either accept his explanation or dismiss it and disagree.
Megan's trial began on Thursday, November 20, in a Miami federal courtroom. She took the stand for roughly two hours that day, defending her belief that Milagro Gramz "created a space for a lot of people to come speak negatively about me." On Friday, November 21, Gramz' legal team cross examined her and challenged the strength of her claims.
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
