Hardy took the stage on The Tonight Show for a moving performance of his song “Bottomland.” The country artist delivered the anthemic track solo, seated on an upturned log as the camera circled around him, adding an intimate touch to the late-night set.

“Bottomland” is featured on Hardy’s latest album, Country! Country!, which was released in September. The track finds the Nashville musician looking back on his upbringing as he sings, “Lord just take me as I am/ Bury me in bottomland/ I am just a country boy/ Where I come from didn’t have no choice/ But what I’ve done well or so I’m told/ So baby wear my watch, baby sell my gold.”

Country! Country! serves as Hardy’s fourth studio project and includes 20 songs, among them the single “Favorite Country Song.” In a recent episode of Rolling Stone’s Nashville Now podcast, Hardy opened up about the album, his decision to record a cover of the 1975’s “Love It If We Made It,” and how the 2022 bus accident that left him injured and dealing with PTSD shaped his new music.

Rolling Stone described the album as “surprising,” noting that beneath its surface, Country! Country! continues Hardy’s tradition of exploring deeper and darker themes. The publication pointed out that several tracks dive into thoughts of mortality and self-reflection, with at least eight songs addressing his own death or burial.

Hardy plans to bring Country! Country! to fans with a major tour next year. Announced in October, the Country! Country! Tour! will launch in February and continue through August 2026. The extensive run will include a strong rotation of supporting acts, such as chart favorite Tucker Wetmore, indie duo Muscadine Bloodline, and honky-tonk artist Jake Worthington. Cameron Whitcomb, Mitchell Tenpenny, and McCoy Moore will also join select dates on the tour.

There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.

If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.

On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.

It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.

While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.

He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”

That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.

Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.

The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”

Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.

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