NEWS
6ix9ine has shared some of the wildest stories in hip-hop, leaving it up to fans to decide what’s real and what’s part of his trolling persona. He’s built a reputation as rap’s biggest provocateur, but this time, his claim might actually hold some truth. In a recent interview, the rapper recalled offering NBA YoungBoy a massive deal to collaborate on a song.
According to the Bushwick native, he was ready to pay $1 million for the guest verse. The conversation, which surfaced through DJ Akademiks, revealed that 6ix9ine wanted YoungBoy to feature on his 2022 single “GINE.” Instead, the track dropped as a solo release on April 15, 2022.
6ix9ine explained that their talks were serious and that they were close to hitting the studio together. However, it seems YoungBoy wanted to take the record in a more positive direction, something that didn’t align with what the “GUMMO” rapper had in mind.
In his own words, “I’m not on no positive sh*t. I don’t wanna be positive.”
YoungBoy may have decided to step back because of the real-life themes tied to the track. The song references 6ix9ine’s time with the Nine Trey Bloods, a chapter that’s well-documented and controversial.
The track also mentions Lul Timm, one of YoungBoy’s affiliates who was accused of murdering King Von.
Timm, who was seen hanging out with DJ Akademiks during one of YoungBoy’s tour stops, reportedly declined the song because of the allegations and legal issues surrounding him at the time. According to 6ix9ine, he only offered him “10 bands.” Kodak Black was also approached for the record.
Altogether, the story lines up with previous rumors about a potential collaboration between two of rap’s most polarizing figures. Discussions about a joint effort surfaced around four years ago and even lingered into 2024, though nothing ever materialized.
One collaboration that seems entirely off the table is between 6ix9ine and 21 Savage. During a recent chat with DJ Akademiks, 6ix9ine took aim at the UK-born rapper, claiming he’s better than him because he’s American-born.
21 later tweeted, saying that everyone seems to be “in a race to be the corniest alive,” leading fans to believe the message was directed at the rainbow-haired MC.
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
