The BBC has released the trailer for Coming Home, a documentary about Ozzy Osbourne that is set to debut on Oct. 2. The clip showcases Osbourne and his wife Sharon Osbourne “as they plan their dream of moving back to the U.K.”

The trailer opens with the couple traveling in the back of a car. “I’m so looking forward to an English summer,” Osbourne notes in an interview. As they arrive at their Buckinghamshire mansion, Sharon explains that the couple had “always referred to this as home.” “It looks magnificent, Sharon,” Osbourne replies.

The musician is asked by Sharon if he wants “a quiet life” in his older years and replies, “No… Yes, but no.” Their daughter Kelly Osbourne chimes in, “I don’t think it’s possible for either one of them to retire, ever.”

Coming Home was initially set to air on Aug. 18, but was pulled from the TV schedule at the last minute due to “the family’s wishes to wait a bit longer.” The one-hour documentary, directed by Paula Wittig, was filmed over three years. It was originally announced as a series, Home To Roost, in 2022, but the project evolved as Osbourne’s health continued to deteriorate. The metal legend spent the last few years of his life battling Parkinson’s disease, as well as injuries he sustained from a late-night fall in 2019. 

The BBC has described the show as a “remarkably candid and uplifting tribute” to one of the world’s “true icons.” It feature s“unique and intimate access” to the whole Osbourne family, and also contains footage of Osbourne working to get in shape for his farewell concert, which took place in early July, just a few weeks before his death

Paramount+ recently premiered the official trailer for its own Osbourne documentary, No Escape From Now, which also spans the past three years of the musician’s life. That release arrives Oct. 7.

Coming Home will premiere on BBC One and iPlayer on Oct. 2 at 9 p.m. BST.

 

There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.

If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.

On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.

It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.

While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.

He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”

That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.

Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.

The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”

Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.

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