The Rumours are true: Miley Cyrus has officially released “Secrets,” her new single featuring Mick Fleetwood and Lindsey Buckingham.

The collaboration appears on the deluxe edition of Something Beautiful, out today. “Secrets/I want to keep your secrets,” Cyrus sings, across the legendary rhythm section. “Like sunlight in the shadow/Like footsteps in the grass.”

“This song was written as a peace offering for someone I had lost for a time but always loved,” Cyrus said on Instagram. “In my experience, forgiveness and freedom are one and the same. Thank you to Lindsey Buckingham & Mick Fleetwood for bringing magic to the music. This song is for my dad.”

News of the collaboration first surfaced in late August, when Billy Ray Cyrus posted a snippet of the track on Instagram, revealing his daughter penned it for him. “For my birthday, Miley gave me the gift of music and wrote me a song called ‘Secrets’ and got my favorite musicians Fleetwood Mac to play on it!” he wrote.

This isn’t the first time Cyrus has dabbled in the world of Fleetwood Mac. Back in 2020, she released “Edge of Midnight (Midnight Sky Remix),” which mashed up her hit “Midnight Sky” with Stevie Nicks’ 1982 classic “Edge of Seventeen.”

“Secrets” is one of the two additional tracks on the Something Beautiful deluxe, alongside “Lockdown” with David Byrne. Cyrus released the standard edition of Something Beautiful in late May; Rolling Stone included it on their list of the Best Albums of 2025 So Far. The album — Cyrus’ ninth LP to date — featured Brittany Howard and Naomi Campbell. “All 13 songs have a special place in my heart,” Cyrus said at the time.

Though she still has no desire to tour, the singer recently revealed she’s planning something “really special” for the 20th anniversary of Hannah Montana, which occurs in March 2026. “Without Hannah, there really wouldn’t be this kind of … this me,” she told SiriusXM’s TikTok Radio.

“It’s so crazy to think, too, that I started as a character that I thought was going to be impossible to shed,” she added. “And now that’s something that when I walk into a space, it’s looked at as this sense of nostalgia or something that you have from your childhood, but I’ve now been as kind of integrated into everyone’s life as the character itself. So that’s exciting to get to celebrate that.”

There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.

If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.

On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.

It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.

While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.

He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”

That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.

Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.

The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”

Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.

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