Lady Gaga appeared on The Late Show where she performed her song Vanish Into You. Fresh from her win as Artist of the Year at the MTV VMAs on Sunday night, Gaga delivered a moving and intimate version of the piano-driven ballad.

Vanish Into You is part of Lady Gaga’s most recent album Mayhem, released in March. The track was co-written with Andrew Watt, Henry Walter, and Michael Polansky, and produced by Gaga alongside Watt and Cirkut. It was the first song she created for the album and is believed to be inspired by her fiancé Michael Polansky. Speaking with ELLE, Gaga explained, “In Vanish Into You, I imagine that I just want to disappear into the person I love most.”

The recording of Mayhem took place at Rick Rubin’s Shangri-la Studios. Gaga described the album as a personal breakthrough, saying in a statement, “The album started as me conquering a fear: to return to the pop music my earliest fans loved. This record allowed me to reclaim a huge part of myself. It’s about enjoying everything I am and sharing that joy with my fans.”

She also told Rolling Stone that she aimed to blend some of the darker energy and imagery of The Fame Monster and Born This Way with a fresh direction. “I wanted to traverse old ground while breaking new ground, which I think is hard to do,” she said. “There are a few moments on the album where some people might say, ‘Oh, that reminds me of this,’ because I do have a style, but I made an effort musically to push myself to a new place.”

In addition to winning Artist of the Year at the VMAs, Gaga performed live for the televised ceremony from her concert at Madison Square Garden, where she delivered versions of Abracadabra and The Dead Dance.

While accepting her award, Gaga reflected on the role of artistry. “Being an artist is an attempt to connect the souls of people all over the world. Being an artist is a discipline, a craft meant for reaching into someone’s heart, where it grows its roots and reminding them to dream,” she said. “Being an artist is a responsibility to make the audience smile, dance, cry, release at any turn. It is a method of building understanding and celebrating community. I hope as you navigate through the mayhem of daily life, you are reminded of the importance of the art of your life that you can count on yourself and your simple skills to keep you whole, your rehearsal, your discipline, your craft, deserves to be rewarded for its passion.”

 

There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.

If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.

On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.

It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.

While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.

He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”

That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.

Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.

The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”

Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.

CONTINUE READING