Apparently, Gillie Da Kid was quite the dancer back in the early 2000s. That's at least what appears to be the case in Ludacris' music video for his iconic hit, "Move B*tch." That became a topic of discussion during his and Wallo's July 27 episode of Million Dollaz Worth Of Game which featured Ciara.
As caught by Complex, Gillie brought up out he used to frequent a night club called Dances in his hometown of Philadelphia. That's when CiCi made the joke about him twerking in the aforementioned visual. They begin talking about it around the 21-minute mark.
The Gillie look-alike appears towards the end of the music video throwing it back on top of a bar. "He was popping it. That was him Wallo quipped adding that it was "back in the day."
"I can't believe CiCi [did] GG like that. Goddamn," Gillie said. Wallo piled on again with Ciara, "Dancing is in our family, though. That's how he was."
Gillie affirmed that it wasn't him though, replying, "Man, you know goddamn well that ain't me." But his co-host didn't let up. "You know, Atlanta do something to people," he said while adding that Gillie got "drunk" and "forgot" he did that. "
"[He] put the stank in that dance" and was a "dancing machine," Wallo quipped.
Hilariously, this is not the only time Gillie has had to shut down this rumor. The outlet mentioned that a video of him surfaced interacting with a fan whose cousin thought the same.
In other news regarding the Philly native, he's been having to respond to some more heated matters. Lately, he's been beefing with former NFL quarterback Cam Newton over Eagles QB, Jalen Hurts. With the rapper and podcaster being a huge fan of the team, he holds the Super Bowl winner in high regard.
However, he's also biased at the same time. Cam, who doesn't have any allegiance to the NFC East team, doesn't think Hurts is top 10 great. This angered Gillie, influencing him to call out Cam for not winning a Lombardi Trophy.
"I seen you came at me because I said Jalen Hurts did what you couldn't do. That was when a Super Bowl. So you want to get all in your feelings? Man, shut your tight jeans wearin' a*s up, man. You had on a jersey with a bow tie, you corny a*s n****! You will never be able to fuck with Jalen Hurts, n****, you super goofy, corny a*s n****!"
Cam clapped back on his 4th&1 platform, trashing his music career. Johnny Manziel has also gotten involved, backing Cam and threatening to slap Gillie.
Nick Cave has reflected on reports that his massive Preston Park concert with The Bad Seeds became “the largest ticketed event in Brighton’s history”.
Read More: In conversation with Nick Cave: “There’s no metric that says virtuousness makes good art”
The legendary rock band performed in Brighton on Friday, July 31, delivering their only UK show to more than 50,000 fans while celebrating their praised 2024 record, ‘Wild God’.
The Flaming Lips, English Teacher, Cate Le Bon and Warmduscher appeared as special guests, while Kylie Minogue joined Cave for a moving rendition of ‘Where The Wild Roses Grow’.
Before the main concert, the group gave fans another unexpected treat by performing an intimate acoustic set on the rooftop of Brighton’s Resident Records.
Following the packed Preston Park performance, Cave has now reflected on the milestone event, revealing that the occasion felt like a “homecoming” for several reasons.
Responding to a fan through his Red Hand Files website, Cave explained that he spent the following morning sitting along Brighton’s seafront and taking in the “near-empty, early-morning streets” while thinking about the previous night. He also revealed that his manager had told him “last night’s show was the largest ticketed event in Brighton’s history”.
While remembering the concert, Cave called it a “big day for The Bad Seeds” and said he could not “overstate the pride I feel in performing with a band that can play the rooftop of a record store in the morning, and then perform to nearly 50,000 people in the evening with the same ferocious intention”.
“There is simply no other group that can summon pure chaos and the most acute intimacy almost simultaneously, and that is both tight and anarchic within the same song,” he continued. “They are a force to behold, and it is a sheer privilege to share a stage with them.”
Discussing Minogue’s surprise appearance, Cave shared that her outfit had been created by his wife, fashion designer Susie. He also praised the Australian star as “a performer who only gives, gives and gives, then retreats, as ghosts and great performers do.”
The ‘Red Right Hand’ singer went on to express his gratitude to “everyone who came to the concert”, explaining that the evening felt like “a homecoming in many different ways”.
“Although part of me is relieved the Preston Park show is behind me, sometimes my job is so completely and emotionally overwhelming, I’m happy we could, for a delirious moment in time, create a place where the absent and the present could dance together. Again, thank you,” he finished.
Nick Cave & The Bad Seeds will now complete their tour with a final series of European festival appearances. The group has also suggested that another record may be approaching, having revealed earlier this year that they were “messing around” in the studio and considering what could follow ‘Wild God’.
Following the release of that project, Cave appeared on ‘Honora’, the first solo album from Red Hot Chili Peppers bassist Flea. He has also created a fresh recording of ‘Red Right Hand’ for Peaky Blinders: The Immortal Man.