Metallica are reportedly in talks for a residency at the Las Vegas Sphere.
The futuristic state-of-the-art venue opened in 2023 and has since hosted residencies from the likes of U2, Phish, The Eagles and the Backstreet Boys. It was also recently confirmed that a new Sphere venue will be constructed in Abu Dhabi.
Now, it has been reported that Metallica may be the next to announce a stint at the Sphere. Local publication Vital Vegas said the band are “ready to ink a deal for a Sphere residency” in the city.
The site suggests that the heavy metal icons “could play Sphere in the fall of 2026”, following their ‘M72’ world tour, concluding, “but specifics haven’t been confirmed or announced yet.”
In April, Kirk Hammett said the band would love the chance to play the Sphere, saying it was a “great example of how venues are changing”. He added: “That’s using modern technology to the fullest, to really up the levels of production and entertainment, connected to AI and making it a crazy experience.”
The metal icons will be playing a string of stadium shows in the UK and Europe in 2026, including dates in Dublin, Glasgow, Cardiff and London. Opening sets will come from Gojira, Pantera, Knocked Loose and Avatar. See the full list of dates here and find any remaining tickets here.
In a four-star review of Metallica’s ‘M72’ tour opener in Amsterdam, NME wrote: “Metallica have always been a gateway band for heavy music, but there’s a renewed excitement around them now. Tonight’s surprising, ambitious and giddy gig matches that energy at every turn.”
U2 were the first band to play at the Sphere. NME give their performance a glowing five-star review, sharing that it “truly takes your breath away”.
“They pull off a dazzling series of technological tricks right from the outset as whirring drones whizz past the audience while everything from giant helicopters, falling letters, widescreen desert landscapes and even a projection of the Sphere itself come hurtling towards the audience,” it read.
The Sphere recently made headlines when Beyoncé removed images of the venue from the visuals of her ‘Cowboy Carter’ tour after being hit with a cease-and-desist from the owners.
In other Metallica news, the band appeared at Black Sabbath’s ‘Back To The Beginning’ farewell show last month, playing Sabbath’s ‘Hole In The Sky’ and ‘Johnny Blade’. The band paid tribute to Ozzy Osbourne, who died last month (July 22), only weeks after the concert, and they attended his funeral last week.
Metallica also provided new parts for Tomorrowland’s main stage last month, after the original was destroyed during a fire, which broke out less than 48 hours before the dance festival in Boom, Belgium, was set to kick off.
Elsewhere, they forced the US government to withdraw a social media video that made use of ‘Enter Sandman’ without authorisation.
Reneé Rapp is seen as a “huge inspiration” by SZA.
The 25-year-old artist performed SZA’s Good Days in the BBC Radio 1 Live Lounge, accompanied by two acoustic guitarists and a harp player. SZA, 35, was deeply moved by the rendition.
She posted a short video of the moment on Instagram Stories and wrote: “Renee is a HUGE inspiration, energy, voice spirit.”
During her chat with the BBC, Renee shared her thoughts about the track. She said: “I mean, I love SZA. I mean, she was one of my favorite artists in high school. And she's remained one of my favorite artists to this day. I think she's amazing. She's also, I mean, she's an incredible songwriter, but I think because she has so much swag. People don't realize how good of a singer she is. She's a fantastic vocalist and is really, really, really articulate. And I don't cover a lot of songs anymore. So I wanted to cover something that was, like, slightly challenging and also really vocally impressive, and frankly, hard for me to do.”
Renee is currently in the middle of promoting her second album, Bite Me, and opened up about how much more enjoyable it was to create compared to her first project.
She explained: “I mean, I feel like everything was incredibly different. I stopped listening to people that don't make music, because if you don't make music, then why the hell am I listening to you. And I also think the biggest difference, I think I just got a lot better. I think I have just become a better songwriter. I think I understand how to make pop music now in a way that I didn't really before. And I was very sure about what this album was and thematically, what it needed.
“So I felt like I was quite like, headstrong in like, what was gonna work and what wasn't. Because, nobody knows something better than yourself. I think a lot of things were different. I also just, like, had a lot of fun making it, like, I made it with like, three people, mostly, like, it was always like, four of us in the studio all the time, and we got so close, and some of us were already so close. So it was also just like a mess. It was such a mess, like we were just tweaking every day. It was so fun. And I don't think I enjoyed making the first one as much.”
