NEWS
Megan Thee Stallion and Tory Lanez continue to deal with a lot of legal fallout from the case of the latter shooting the former back in 2020. In fact, their most recent legal update also concerns her defamation lawsuit against blogger Milagro Gramz.
According to AllHipHop, a federal judge in Florida ordered Lanez to cover Megan's legal fees for a disastrous deposition he reportedly participated in. During this April 9 meeting for the Gramz defamation case, he allegedly disrespected the Houston femcee's legal counsel by insulting her, interrupting questions, and feigning ignorance of basic facts and definitions.
As such, the sanctions against the Canadian star will cover that first round of questioning. Megan Thee Stallion's legal team asked Tory Lanez to explain why the court shouldn't hold him in contempt for this behavior. He and his legal team didn't respond by the April 30 deadline, which has now led to this sanctions ruling.
Furthermore, Tory's next deposition will also host a magistrate judge to supervise the procedure and ensure civility. Meg's attorneys also want his pockets to pay for a special master to overlook future testimony, but we'll see where the judge falls on that.
For those unaware about the origin of this deposition, Megan Thee Stallion's lawsuit against Milagro Gramz accused the YouTuber of lying about her mental health, substance use, and more. Much of Gramz's commentary circled around the Tory Lanez case. Not only that, but Megan also accused Lanez and his father of assisting her.
While that case seems incomplete, Milagro Gramz did have to cough up cash for Megan Thee Stallion's legal fees due to a delay in her social media vetting. So it's looking like an uphill battle for the defendants here, but anything could change.
We will see whether or not more legal updates and developments change both cases in the near future. Clearly, convictions, sentences, mediations, and civil moves were not enough to settle these matters once and for all. It's been a rollercoaster to follow the whole thing. But hopefully a better era emerges for all sides involved once it's all over.
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
