The song is the second listen off the Puerto Rican singer's next album

Rauw Alejandro has shared a new single, “Buenos Términos,” off his forthcoming LP. The Afro-Carribbean-inspired song arrived alongside a music video directed by Martin Seipel and El Zorro.

The sultry track sees Alejandro reflecting on an impossible-to-quit relationship. He ultimately decides to fight until they reach “good terms.” In the cinematic video, Alejandro finds himself stranded by a raging storm, dances away his emotions, and eventually sees his lover leave.

“Buenos Términos” will appear on Alejandro’s highly-anticipated follow-up to Cosa Nuestra, which dropped last year. It follows “Carita Linda,” a single inspired by Puerto Rican Bomba music that arrived in April. The musician has yet to reveal a release date or title for his next album.

Alejandro will continue his Cosa Nuestra World Tour in October with tour dates around South America and Mexico. In a review of one of Alejandro’s shows at San Juan’s José Miguel Agrelot Coliseum, Rolling Stone wrote, “What comes next for Rauw, after the full tour is completed, is more open than ever. Cosa Nuestra demonstrated that his ceiling is skyscraper-high, and anything he does next will undoubtedly be compared to his efforts here. But as his shows prove, his creativity, discipline, charisma, and talent can take him wherever he wants to go — from the far reaches of space to back in time — so the future is boundless as ever.”

The singer released Cosa Neustra in November. The LP marked the musician’s fifth album and followed 2023’s Playa Saturno. It featured collaborations with Bad Bunny, Pharrell, Feid, Romeo Santos, and more. The album found Alejandro blending contemporary and futuristic styles with classic Puerto Rican ones, especially those that developed in New York City over the decades.

In an interview with Rolling Stone, Alejandro discussed all the deep research that went into making the album, including a move to New York City.

“I like to feel the whole vibe and a lot of this concept was like, ‘Puerto Ricans living in New York? I’m moving to New York,’” he said, adding: “We went to a lot of jazz club, salsa clubs, regular clubs, bars, restaurants, just walking through the city,” he says. “I think if you do a project with a type of music, you should project what you say, how you dress up, how you live your life, otherwise doesn’t make sense.”

There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.

If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.

On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.

It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.

While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.

He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”

That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.

Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.

The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”

Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.

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