The singer's new LP, Bite Me, is out today

Reneé Rapp appeared on The Late Show to perform her new song “Shy.” The singer showcased the anthemic, ’90s-inspired pop number from a Broadway-style set with a New York City apartment and fire escape.

“Oh, what a good time to be alive/ I’m good at keepin’ it cute, but on the inside/ I’m freakin’ out, thinkin’ ’bout how bad I need you,” she crooned as she moved through the set, posing in the faux window and on the fire escape.

“Shy” comes off Rapp’s new album, Bite Me, which drops today via Interscope Records. It follows her 2023 debut LP, Snow Angel, and includes single “Leave Me Alone,” which she debuted live a new song at the American Music Awards last year.

Rapp will kick off her Bite Me tour on Sept. 23 at Denver’s Red Rocks Amphitheatre before heading to cities such as Chicago, Boston, Portland, San Francisco, Austin, and Atlanta. Syd and Ravyn Lenae, her “favorites,” will split the run as openers for the shows. The tour also includes a headlining slot at Toronto’s All Things Go festival. “See you thereeee,” she wrote on Instagram.

In May, the singer stopped by the podcast Good Hang with Amy Poehler, and shared that her mom, Denise Rapp, specifically chose her name to ensure success. “My mom chose my first and last name to be—well, okay, arguably chose my first and last name to both have R’s,” Rapp told host Poehler. “She was like, ‘Alliteration, just in case she wants to be a pop star’… I’m obsessed with the way she did it. I’m like, ‘Thank you, God.’'

 

There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.

If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.

On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.

It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.

While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.

He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”

That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.

Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.

The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”

Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.

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