NEWS
On July 25, GloRilla returned to Memphis not just as a rising star, but as the city’s new cultural cornerstone.
The inaugural Glo Bash at a sold-out FedExForum, the 26-year-old rapper turned her birthday into a full-scale hometown celebration. A spectacle of defiance, pride, and Southern rap supremacy.
The event revived a tradition cemented by her CMG label boss and mentor Yo Gotti, whose Birthday Bash concerts once defined the Memphis summer. From local theaters to sold-out arenas, Gotti’s annual shows united generations of Southern hip-hop fans. His retirement from the stage in 2022 left space for a new torchbearer—one GloRilla has stepped into with conviction.
The lead-up to Glo Bash wasn’t without headlines. Just days before the show, the rapper—born Gloria Hallelujah Woods—was arrested on felony drug charges in Georgia after police responding to a break-in at her Atlanta-area home allegedly found a large stash of marijuana.
But instead of shrinking from the attention, she capitalized on it. At the concert, fans snapped up limited-edition merch featuring her mugshot, flipping controversy into branding with savvy irreverence.
The show itself was pure theater. Opening with a biographical short film, GloRilla rose from a two-story platform in a black-and-gold ensemble, her energy electric from the first bar. Over the course of 20-plus songs, she delivered a performance as sharp as it was celebratory, commanding the stage with a mix of grit and charisma.
A parade of high-profile guests turned the concert into a Southern rap summit. Kodak Black, Rob49, and BossMan Dlow brought raw intensity. Muni Long slowed the pace with a duet on “Don’t Deserve.” Sexyy Red ignited a frenzy with “Whatchu Kno About Me,” while Big Boogie and Moneybagg Yo anchored key moments with Memphis pride. In the finale, Yo Gotti emerged for a blistering rendition of “Pull Up,” passing the torch in real time to his most dynamic protégé.
Glo Bash wasn’t just a birthday concert—it was a coronation. In a city that birthed legends, GloRilla now commands the main stage. Her voice is bold, her vision clear, and her moment is now.
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
