“I am not asking for less than the purchase price but for consideration of the passion I’ll bring to keeping your legacy thriving," said Kevin Jonas Sr., who made the purchase for an undisclosed amount

On the most recent Jonas Brothers LP, 2023’s The Album, the sibling trio looked back fondly on the time they spent growing up together. “Headstrong father and a dеtermined mother/Oh, that’s why some nights we tried to kill each other/But you know it’s always love,” they sang on the single “Waffle House.” Now, their headstrong father, Kevin Jonas Sr., is the proud owner of The Album after beating out competitors in a bidding war for the purchase of a portion of the Jonas Brothers catalog.

Billboard reports that the investment arm of Jonas’ talent management company, Jonas Group Entertainment Holdings, made the purchase. The deal included the publishing and recording rights to The AlbumHappiness Begins, and their upcoming seventh studio album, Greetings From Your Hometown. The sale also included the one-off singles “Like It’s Christmas” and “Remember This.”

While the purchase amount has not been disclosed, Jonas noted that he went for the heart in his sales pitch to his sons Joe, Nick, and Kevin. “I don’t know that anybody can love your music any more than I do or be any more proud of you,” he told them, per Billboard. “I am not asking for less than the purchase price but for consideration of the passion I’ll bring to keeping your legacy thriving.” The band called the deal a “full circle” moment.

“We are passionate about songwriting and the creative process, and Leslie DiPiero [Jonas Group Publishing president] has always been a true champion for songwriters and creators,” Jonas Brothers said in a statement to the publication. “We look forward to working with her and the team.” Jonas predicted collaborating with the trio will be “easy,” given the familial connection, but also their history together. Jonas previously managed the group alongside Phil McIntrye.

Jonas Brothers are still in possession of their first four albums. Their first, 2006’s It’s About Time, was released on Columbia Records, which dropped them and later surrendered the master recordings. The three albums that followed — including A Little Bit Longer and Lines, Vines and Trying Times — arrived via Disney’s Hollywood Records. The band took their masters with them when they parted with the label in 2012.

“This was a decision that we made as a group,” Nick said at the time. “Naturally, as with any partnership, when you do part ways, there is emotion tied to it. We’ve been blessed to have a lot of success with Hollywood and with Disney, but speaking on behalf of my brothers and our team, we’re all looking forward to this next chapter. We’re ready for that next step as a group, and being able to take our work with us was so important.

 

There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.

If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.

On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.

It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.

While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.

He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”

That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.

Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.

The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”

Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.

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