NEWS
Blood Orange has announced his new album ‘Essex Honey’ and shared the first two tracks – listen to ‘Mind Loaded’ and ‘Somewhere In Between’ below.
The album will be the first album from Blood Orange – aka Dev Hynes – since 2018’s ‘Negro Swan’ and it will feature appearances from Hynes’ previous collaborators Lorde, Caroline Polachek, Daniel Caesar, Mustafa, Turnstile’s Brendan Yates and Tariq Al-Sabir.
Also appearing are author Zadie Smith, The Durutti Column, Wet’s Kelly Zutrau, Tirzah and actors Naomi Scott and Amandla Stenberg. The record is released on August 29 via RCA Records and you can pre-order it here.
The first tastes of ‘Essex Honey’ come in the form of ‘Mind Loaded’, a minimalist but blissfully warm track that features vocals from Polachek, Lorde and Mustafa, and ‘Somewhere In Between’, a busier, slinky R&B track. Listen to both here:
A press release states that ‘Essex Honey’ is an album that has been “created from a dreamscape of his journey working through grief” and harkens back to his childhood growing up in the titular county.
Earlier this month, Hynes announced details of a UK and European tour for Blood Orange that will kick off later this year. It follows on from his upcoming US tour and kicks off in Berlin on October 29, with London shows planned for November 8, 9 and 10. See the full list of dates here and find UK tickets here and international tickets here.
Several of his US dates will see him opening for Lorde on her huge tour supporting new album ‘Virgin’, several songs of which were produced by Hynes. He also played cello and bass on the single ‘Man Of The Year’ and synths and guitar on ‘Favourite Daughter’.
He continues to be one of the most in-demand producers in alternative music, with the news coming this week that he has worked on ‘We Are Love’, the forthcoming new album from The Charlatans.
He also appeared on Turnstile’s ‘Seein’ Stars’ from the album ‘Never Enough’ this summer, contributing backing vocals, and also played cello on ‘Never Enough’ and ‘Look Out For Me’.
In a five-star review of ‘Negro Swan’ in 2018, NME wrote: “Spoken-word interludes from writer and transgender activist Janet Mock pepper the album, punctuating the stream-of-conscious, journey-into-the-unknown experience. At times, ‘Negro Swan’ crosses over from album and into a radio station from a world just outside ours; Dev Hynes has created a fabulous collection of cascading sounds.”
Taylor Swift believes Nashville has a music scene that stands apart from anywhere else.
The 36 year old singer moved to Nashville, Tennessee, when she was young to chase her dream of becoming a country music star. After being inducted into the Nashville Songwriters Hall of Fame on Monday (26.10.26), Taylor took the opportunity to recognise the city and the talented writers who have helped shape its music scene.
In her acceptance speech, Taylor said: "I believe you really get to master a craft by doing it again and again. That's exactly what the incredible songwriters in this wonderful town do every day."
Taylor also spoke about what makes Nashville such a special place for musicians.
The award winning singer, who ranks among the best selling music artists of all time, said: "You won't find another music community quite like this one. Trust me, I've checked them all."
Taylor also shared how being part of Nashville's songwriting scene had taught her valuable lessons about life and working with others.
She joked: "I've learned to be flexible when your co writer turns up with a hangover, or when they need to spend ages talking about their divorce before we can even get started on a song."
Taylor previously spoke about how Faith Hill and Shania Twain inspired her decision to move to Nashville.
Speaking to Time magazine, the singer said: "I couldn't get enough of watching TV biographies about Faith Hill and Shania Twain, and I realised they had both moved to Nashville to get their careers started. After that, I kept asking, pleading and begging my parents to take me there.
"When I was 11, my mum took my brother and me to Nashville during spring break, and we spent the trip driving around Music Row. She stayed in the car while I rushed into record companies one after another, giving my demo CD to the receptionists. I found it fascinating that so many major record labels were gathered along a single street, often inside little buildings and old houses.
"What really stayed with me was how welcoming people were to newcomers and complete strangers like us. We started visiting Nashville more often, and when I was 13, I received an offer for a development deal from a major record label. That was when my parents finally agreed to leave Pennsylvania and move with me."
