Rocker and the E Street Band just completed the most successful trek in their touring history, and propelled Springsteen into the $2 billion touring club

Bruce Springsteen’s just-completed world tour with the E Street Band has proven to be the most successful of the rocker’s career with a gross of more than $700 million.

The tour, which spanned 129 shows and two continents from 2023 to 2025 (with a peptic ulcer postponement in between), made almost $730 million over its run, more than doubling the $347 million earned by Springsteen’s previous top-grossing tour, the Wrecking Ball tour in 2012 and 2013, Billboard reports. 

The trek also sold 4.9 million tickets across its dates, good for a nightly gate of 37,900 tickets and $5.7 million on average per show, both the best totals of Springsteen’s touring career. 

Critics will point to the fact that tickets to Springsteen’s latest tour cost more than his previous treks, but Billboard throws cold water on that theory, noting that ticket prices jumped 29 percent (or $115 to $149) from the previous E Street tour in 2017 to his latest jaunt, a percentage that is “well below the typical uptick for other arena and stadium acts, legacy or contemporary.”

Springsteen and the E Street Band’s 2023-2025 Tour, which wrapped earlier this month in Italy, also became one of the top 10 highest-grossing tours of all time, joining the likes of Taylor Swift’s the Eras Tour and jaunts by U2, Coldplay, and Ed Sheeran in a small club of artists that have grossed over $700 million on a single tour.

Over the course of his entire touring career, as a solo artist and with the E Street Band, Springsteen has grossed over $2.3 billion, one of only five artists to reach that number, Billboard added.

Fontaines D.C. have teamed up with Rosalía for their new collaboration, Where Is Gone?.

The song features on the Irish rock band's forthcoming album, Dopamine Chamber, which arrives on Friday (16.10.26). For guitarist Carlos O’Connell, working with the Spanish superstar is particularly special because of his own Spanish roots.

He explained: “I’ve admired Rosalía ever since her debut album, which I thought was absolutely beautiful.

“What excited me most was the way she continued to preserve Spain's musical traditions, something that felt spiritually connected to what we've been trying to achieve with Irish music. Having roots in both countries, it's been really special to witness. "She's an artist who has continued to amaze me at every point in her career.”

Frontman Grian Chatten has also described the collaboration with Rosalía as one of the most memorable achievements of his career.

He revealed that he felt "humbled" when she agreed to lend her voice to the band's album.

Speaking to NPR, Grian said: “I've always felt there's something almost like a single big idea that I'm personally trying to communicate to the world before I get old and die, if that makes sense. There's one thing I think I'll spend my life trying to express. I have a feeling she has a similar outlook. … I mean, she's an amazing arranger, composer and lyricist. It means so much that she wanted to sing on something we'd put together. It's definitely one of the highlights of my career.”

Rosalía's links to Irish rock music extend beyond Fontaines D.C. She also offered inspiration and helped develop the Spanish lyrics for U2's The Mirror Maker (Rosalía), a track from their forthcoming album, Carnaval de Luz.

During an appearance on The Tonight Show Starring Jimmy Fallon last week, she spoke about frontman Bono, saying: “I don't know him personally, but he sent me a text explaining that he was working on a new project and had written a song called The Mirror Maker."

Rosalía joked that Bono had invented a few words of his own.

She recalled telling him: “I wasn't sure what to make of it, but I told him he could create his own language if he wanted to.”

She described the opportunity to collaborate with the 66 year old music veteran as a real privilege.

She added: “Bono is a legend.

“It's amazing.”

Bono recently revealed that he was worried about seeming like a stalker when he reached out to Rosalía to ask whether he could name the song after her.

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