NEWS
Fifty years ago this month, Fleetwood Mac released their self-titled 1975 album, which featured two new members: a young couple named Lindsey Buckingham and Stevie Nicks.
As the story goes, the two musicians — who performed as the duo Buckingham Nicks — released their self-titled 1973 album, but it flopped and they were dropped by Polydor. Nicks began working at the Beverly Hills restaurant called Clementine’s, until their Buckingham Nicks producer Keith Olsen played the album for Mick Fleetwood. When Bob Welch left the group, Buckingham and Nicks joined Fleetwood Mac on New Year’s Eve 1974. “I said, ‘That’s it, I’m never looking at another price tag,’” she recalled in 2015. “And I meant it.” The rest is history.
Fleetwood Mac, which opens with Buckingham’s “Monday Morning” and features Nicks’ “Rhiannon,” was released on July 11, 1975. In a new Instagram post, Fleetwood reminisced about this moment that changed the band forever, playing the Buckingham Nicks’ closer “Frozen Love” on headphones.
“Woo! Unbelievable!” he said. “The marriage of Stevie and Lindsey, the marriage of coming into Fleetwood Mac when they did, it’s all in the song. It’s in the music that played on for so many years. It’s magic then, it’s magic now. What a thrill, what a thrill. Amen.”
This particular lineup of Fleetwood Mac played their last full concert together in July 2017, though their final performance was technically their brief set at the MusiCares event at Radio City Music Hall in January 2018 — which wasn’t pleasant for the band.
“That’s when he wasn’t very nice to anybody; he wasn’t very nice to Harry Styles,” Nicks said of Buckingham, in her expansive Rolling Stone Interview last fall. “I dealt with Lindsey for as long as I could. You could not say that I did not give him more than 300 million chances.”
The band fired Buckingham shortly after, replacing him with Mike Campbell, the former guitarist of Tom Petty and the Heartbreakers, and Crowded House’s Neil Finn. The last show of that tour was in November 2019, and Christine McVie died in Nov. 2022. As Nicks told us, she has no plans to reunite the band without her “music soulmate, my best girlfriend.” But as Fleetwood said in his video, the magic of Fleetwood Mac lives on.
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
