NEWS
Disturbed frontman David Draiman has addressed the deafening boos he received while performing at Black Sabbath’s and Ozzy Osbourne’s final concert this past weekend.
The singer performed as part of an all-star jam at the ‘Back To The Beginning’ concert, at Villa Park on Saturday night (July 5). While there, he fronted covers of Sabbath’s ‘Sweet Leaf’ and Ozzy Osbourne’s ‘Shot In The Dark’, backed by current and former members of Anthrax, Megadeth, Guns N’ Roses, and more.
Upon stepping onstage, the singer was met with loud and aggressive boos – Draiman, who is Jewish and has been a vocal supporter of Israel – took to social media after the gig to address the matter: “As you can see… I wasn’t “booed off stage” as so many people in the press and CERTAINLY #FreePalestine crowd, would have you believe. Yes, there were a few boos when I walked out, but I came to pay homage to my teachers, my idols, the mighty Black Sabbath, and I wasn’t about to let a few Jew hating morons deter that.”
He continued: It’s all about feeding their narrative, generating clickbait, and inciting hatred of Jews. There’s even a track being passed around out there that added enhanced booing to the performance just to add fuel to the fire. Pathetic.
“The live stream shows the truth. Both songs went over great. You wouldn’t know that from some of the media however, who are only too eager to roast marshmallows next to this dumpster fire of a bullshit story. Oh well. Still here. Still coming back to the UK in the fall to what’s shaping up to be a VERY successful run, if ticket sales are any indication.”
He concluded: “And I am STILL UNAPOLOGETICALLY A FIERCELY PRO ISRAEL JEW. I will ALWAYS stand up for my people, and I won’t be deterred, intimidated, or shamed out of rocking the asses of the masses. Put that in your pipes and smoke it.”
This isn’t the first time Draiman has come under fire for his stance in the Israel-Palestine conflict, in which he has been an outspoken supporter of Israel. In the past, he’s sung the Israeli national anthem at one of Disturbed’s Tel Aviv concerts, he called Roger Waters a “monster” and an “anti-Semitic to his rotten core”, and professed in 2022 that he “doesn’t give a shit” if he alienated people with his pro-Israel stance.
Back in 2019, Draiman hit out at Roger Waters, slamming the musician and his “Nazi comrades” for calling others to boycott Israel.
Last year, Draiman shared pictures on social media of himself visiting the Israeli army, even signing a number of missiles for them.
Draiman’s involvement in the Black Sabbath finale comes through Sharon Osbourne, who helped to put the show together. Following Irish rap trio Kneecap leading “Free Palestine” chants at Coachella, Osbourne called for a “revocation of Kneecap’s work visa” and claimed that their performance in California “compromised” the festival’s “moral and spiritual integrity”. The band then retaliated by saying: “Statements aren’t aggressive, murdering 20,000 children is though.”
Sharon Osbourne then hit out at the band once again and branded the trio as “pathetic”, “uneducated” and “full of hate”. “My whole stance is have your own stance politically, couldn’t give a damn what you believe in but don’t bring it to a musical festival where there’s peace. Music unites people, music doesn’t separate people.”
Israel has been carrying out a full-scale military campaign on occupied Gaza for almost two years, since the October 2023 attack by Hamas at the Israeli music festival Supernova where 1,195 people were killed.
The UN has found Israel’s military actions to be consistent with genocide, and at least 56,000 Palestinians have been killed in the conflict, according to the Gaza Health Ministry. Israel has continually denied that what’s going on in Palestine is considered a genocide, and has argued that it has not partaken in any war crimes.
NEWS
Fontaines D.C. members Carlos O’Connell and Tom Coll have been behind the production of the forthcoming second album from French indie outfit Film Noir. To introduce the project, the band has unveiled the paired singles ‘VIENS TIENS TOI’ and ‘VEGITA’, which you can listen to below.
The Fontaines D.C. guitarist and drummer worked alongside Film Noir at La Frette Studios just outside Paris. The renowned recording space is also where Arctic Monkeys created their two most recent albums, ‘Tranquillity Base…’ and ‘The Car’.
O’Connell is partnered with Film Noir vocalist Joséphine de La Baume, who is also known for her work as an actor, filmmaker and model. Together, they share two children, with their first child serving as the inspiration for Fontaines’ 2025 track ‘It’s Amazing To Be Young’.
Reflecting on the project while announcing his role in the album, O’Connell shared on social media: “In early 2020 I walked into a gig in a club in Paris and was introduced to a band called Film Noir. I fell in love with the singer, I went on to make babies with her to to fall in love twice again with them.
“A little while back myself, [Coll] and @filmnoirmusic went to La Frette and recorded their upcoming record.”
The guitarist continued: “Producing this record was one of the most beautiful experiences I’ve had. Blessed to have so many. This album means the world to me & I hope it’ll mean something to many more.”
Film Noir have offered an early look at the still untitled album through the release of ‘VIENS TIENS TOI’ and ‘VEGITA’. O’Connell handled production duties on both tracks, while Coll contributed drums. O’Connell also took care of mixing on ‘VEGITA’.
Opening with a light acoustic arrangement, ‘VIENS TIENS TOI’ gradually unfolds into a dreamy sound shaped by shoegaze influences. In contrast, ‘VEGITA’ leans into a brighter, surf inspired feel that complements de La Baume’s floating vocal performance.
The group has also released a behind the scenes video capturing moments from the recording sessions for their sophomore album, which can be viewed below. At this stage, no official release date has been announced.
Back in spring 2020, O’Connell collaborated with Film Noir on a rendition of Lee Hazlewood’s ‘For A Day Like Today’ (via LiveForever). When the track arrived, the band described the guitarist as “a great supporter of the European rock scene and a common friend”.
Film Noir first emerged with their debut EP, ‘Vertiges (Men Of Glory)’, in 2019, followed by ‘Tendrement’ a year later. Their first full length album, ‘Palpitant’, arrived in 2022.
Outside of music, Joséphine de La Baume portrayed Marie in the 2011 film adaptation of One Day alongside Anne Hathaway. She has also appeared in Apple TV’s The New Look and the Polish period feature Chopin, a Sonata in Paris.
O’Connell also produced the self titled debut album from Dead Dads Club, the new project led by former Palma Violets singer Chilli Jesson. Released in 2026, that record was also created at La Frette Studios.
Speaking with NME earlier this year, O’Connell explained that the French studio “feels like a home”. He continued: “There’s nothing about it that feels corporate or constrained by time. My mind goes into this creative mode in which I can hear things in a certain way, and it doesn’t stop until I leave the building.”
Jesson also spoke about the experience, saying: “It was really organic. Carlos, on one of the tours we were on together, was working on a Film Noir album, and he was always mixing it and playing around with sounds. He’d just come out of the studio at La Frette and to see that process, with the production, I was like, ‘Holy shit.’ I’d been in a world where it was all on the computer, and then suddenly he’s talking about a fucking bass drum that’s two metres long.’”
More recently, Fontaines D.C. contributed music to the soundtrack for Peaky Blinders: The Immortal Man. The band also appeared on the collaborative charity release ‘Help(2)’, which supports War Child.
The group are preparing to return to the stage this summer for their first performances in nearly a year, beginning with three headline concerts in Spain before taking on their first ever top billing appearances at Reading & Leeds 2026.
Their schedule also includes a headline performance at Electric Picnic in Ireland, alongside appearances at European and American festivals including Frequency, La Route du Rock and Shaky Knees.
Discussing new material with NME at the beginning of the year, O’Connell revealed: “We’ve been writing, it’s been fun. We’re at [Reading & Leeds] and there are a couple of shows before that. I think if the music is there, it could get busy.”
Asked whether any fresh songs could appear during the Reading & Leeds performances, he responded: “I’d say so. If there is stuff written, then I would say so, yeah. That’s what we used to do all the time, play the new stuff live, songs that weren’t even finished. It’s a good way to test the songs.”
O’Connell was also asked whether elements of the visual production from the ‘Romance’ era might carry over into the band’s 2026 shows. “I think ‘Romance’ was so intense in every [way]… the visual, the production, the setlist… It wasn’t just about the music,” he explained.
“It’s almost a bit of the identity of the band now, but I guess that’s the decision to make. Does that become the identity of the band, or actually, it’s just a phase and you reinvent it? I don’t know.”
He went on to add: “I personally like the idea of revisiting some old stuff at Reading & Leeds, making the setlist maybe a bit more ‘Dogrel’ heavy. I’m excited about that. I’ve been listening to music like that much more. This morning I was listening to Sonic Youth. I want to go [in] that direction, but we’ll see, because anything could happen now, literally anything.”
‘Romance’ ultimately secured the Number Two spot on NME‘s list of the 50 best albums of 2024, finishing just behind Charli XCX’s ‘Brat’.
