Lorde returned to Governor’s Ball for the first time in nine years and gave fans a unique take on her collaboration with Charli XCX, ‘Girl, So Confusing’.

The New Zealand singer made her long awaited comeback to the New York festival on Friday (June 5), where she headlined the opening night.

Speaking to the crowd about stepping back onto the Governor’s Ball stage after almost a decade away, Lorde admitted it was “the most nervous I’ve been for a show in a while”. She then treated fans to a string of beloved tracks including ‘Royals’, ‘What Was That’, and ‘Hammer’.

One of the standout highlights of the evening arrived near the end of her 21 song performance when she performed ‘Girl, So Confusing’, the track she later reworked alongside Charli XCX.

The song first appeared on Charli XCX’s hugely successful 2024 album ‘Brat’ without Lorde’s involvement, though it was inspired by her. In the lyrics, Charli reflected on the complicated feelings between the two artists and revealed she had once felt “super jealous” of the New Zealander’s achievements during her early career.

 

The pair later teamed up for a remix after Charli shared the song’s meaning with Lorde ahead of the release of ‘Brat’. Following that conversation, Lorde proposed creating a collaborative version together.

At Governor’s Ball, Lorde performed the remix adaptation during the closing section of her set and added her own personal touch to the track.

Charli was not present for the performance, leaving Lorde to deliver the song on her own. The moment stood out even more because the track had only appeared sparingly throughout Lorde’s recent ‘Ultrasound’ tour. More footage from the show can be seen below.

 

In addition to revisiting fan favourites and reimagining ‘Girl, So Confusing’, Lorde also surprised the audience with a preview of brand new material.

Early in the set, she introduced a portion of an unreleased song from the side of the stage. Standing behind a synthesizer setup, she sang: “Don’t look for me now that I’m gone/ Don’t look for me, I’m gone.”

Lorde’s festival appearances this summer follow her recent ‘Ultrasound’ tour, which was launched in support of her newest album, ‘Virgin’.

Released last June, the record earned a four star review from NME, which stated: “‘Virgin’ is a vibrant combination of Lorde’s best qualities, and then some.”

Lorde live at Glastonbury 2025, photo by Derek Bremner
Lorde live at Glastonbury 2025. Credit: Derek Bremner for NME

“With her newfound candour, the record combines the emotional whirlwind of ‘Melodrama’, the chilling minimalism of ‘Pure Heroine’ and the breezy freedom of ‘Solar Power’,” it added. “This might be called ‘Virgin’, but Lorde proves she’s not afraid to strip herself bare.”

While ‘Girl, So Confusing’ was not a regular feature during the ‘Ultrasound’ tour, Lorde did perform it at the Kia Forum in Los Angeles last October, where she surprised fans by bringing Charli XCX on stage.

Since releasing ‘Virgin’ and launching the accompanying tour, Lorde has contributed more than $200,000 from merchandise sales to Minnesota immigrant funds. She has also been announced as a headliner for All Points East 2026 in London, where PinkPantheress, Zara Larsson and additional artists are also set to appear.

Fontaines D.C. have teamed up with Rosalía for their new collaboration, Where Is Gone?.

The song features on the Irish rock band's forthcoming album, Dopamine Chamber, which arrives on Friday (16.10.26). For guitarist Carlos O’Connell, working with the Spanish superstar is particularly special because of his own Spanish roots.

He explained: “I’ve admired Rosalía ever since her debut album, which I thought was absolutely beautiful.

“What excited me most was the way she continued to preserve Spain's musical traditions, something that felt spiritually connected to what we've been trying to achieve with Irish music. Having roots in both countries, it's been really special to witness. "She's an artist who has continued to amaze me at every point in her career.”

Frontman Grian Chatten has also described the collaboration with Rosalía as one of the most memorable achievements of his career.

He revealed that he felt "humbled" when she agreed to lend her voice to the band's album.

Speaking to NPR, Grian said: “I've always felt there's something almost like a single big idea that I'm personally trying to communicate to the world before I get old and die, if that makes sense. There's one thing I think I'll spend my life trying to express. I have a feeling she has a similar outlook. … I mean, she's an amazing arranger, composer and lyricist. It means so much that she wanted to sing on something we'd put together. It's definitely one of the highlights of my career.”

Rosalía's links to Irish rock music extend beyond Fontaines D.C. She also offered inspiration and helped develop the Spanish lyrics for U2's The Mirror Maker (Rosalía), a track from their forthcoming album, Carnaval de Luz.

During an appearance on The Tonight Show Starring Jimmy Fallon last week, she spoke about frontman Bono, saying: “I don't know him personally, but he sent me a text explaining that he was working on a new project and had written a song called The Mirror Maker."

Rosalía joked that Bono had invented a few words of his own.

She recalled telling him: “I wasn't sure what to make of it, but I told him he could create his own language if he wanted to.”

She described the opportunity to collaborate with the 66 year old music veteran as a real privilege.

She added: “Bono is a legend.

“It's amazing.”

Bono recently revealed that he was worried about seeming like a stalker when he reached out to Rosalía to ask whether he could name the song after her.

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