Angela White has ended her engagement to Derrick Milano. The 37-year-old rapper and model formerly known as Blac Chyna announced the news in an Instagram story. "After much prayer and reflection, Derrick and I have decided to call off the engagement," she wrote.
"We love each other deeply and are good friends, but we both believe that God's guidance has shown us that this is the right path for both of us, as we each continue our journeys," she continued. "May we find peace and fulfillment in His divine will, trusting that His plan is greater than our own." Milano, a Grammy-winning songwriter, posted a similar statement on his story.
The two had been dating since May 2023, which only became public knowledge after White made a social media post celebrating their one-year anniversary. Milano proposed to her at Howard University's homecoming celebration in October, as ecstatic onlookers cheered before White accepted the proposal.
Angela White opened up about her spiritual transformation and embrace of Christianity. She stopped going by her old stage name, attempted to reverse some of her previous cosmetic surgeries, and has seemingly embarked on a journey of self-discovery.
This news was not shocking information for fans, who seemed to expect the announcement. One user wrote "her new path wasn't aligning with his present lifestyle." Several more commenters pointed to Milano's lifestyle as being incompatible with White's.
"They're at two different places spiritually. You can tell on the show. He was still drinking and partying and she was trying to get right with God. She was going to church and bible study while he was partying," wrote another user. "It never works if one person is practicing sobriety and spiritual discipline and the other isn't," said a third user.
Based on their statements, Milano and White's split did not seem to be acrimonious, nor does there seem to be any bad blood between the new ex-partners.
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.