NEWS
Drake came through with an eerie livestream this evening in which he debuted a new song called "What Did I Miss?" Throughout the livestream, we saw the artist inside of a warehouse with Iceman branding all over the place. Drizzy was even wearing an Iceman hoodie, denoting that a new project is, in fact, on the horizon.
At the time of writing this, the livestream is still going on, and the artist is driving around in a truck while playing more music. Meanwhile, fans are currently in the midst of digesting "What Did I Miss?" which was your typical mix of Drake rapping and singing. However, fans were curious to see if there would be any shots taken at Kendrick Lamar.
Well as it turns out, there were. At one point in the song, Drizzy says "I saw bro in the Pop Out with them but been d*ckriding gang since 'Headlines.'" The reference to the "Pop Out" is a clear shot at Lamar, who held a Pop Out concert in Los Angeles on Juneteenth in 2024. This concert happened just one month following the pair's infamous beef.
With the livestream ongoing, fans are confused as to what is going on. The artist isn't exactly being forthcoming with any of this. Instead, he is driving around in a large Iceman van while playing music. Some of it is more lowkey, and we can hear Drake rap about the company he keeps and the relationships he has had to end.
There are shots of the back of the van, where we can see a phone number and a website. The website in question is called The-Iceman.com. Unfortunately, it doesn't seem to be working right now. As a result, fans cannot access anything.
We will just have to wait until the end of the livestream before getting the full scope of what is happening. However, if one thing is for certain, it is that the artist has something up his sleeve. But in typical Drake fashion, we're getting it in the most cryptic way possible. His fans will love it.
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
