R.E.M.’s Michael Stipe has given a live debut to a new solo song ‘The Rest Of Ever’ on The Late Show With Stephen Colbert – watch below.
The legendary singer has been working on his first full solo album for several years and while he has said in recent weeks that it has taken “longer than I wanted”, he has said he is now adding the finishing touches to the record, and has said it should be out in 2026.
On Thursday (April 23), Stipe appeared on Colbert to play the never-before-heard song ‘The Rest Of Ever’, alongside the house band Louis Cato and The Great Big Joy Machine.
The mature, contemplative track sounds like a slower-tempo version of an outtake from R.E.M.’s ‘Monster’, with Stipe earnestly addressing a loved one, embracing the deep huskiness of his current vocal register.
Watch the performance here:
Also on the show, Stipe attempted to describe the sound of his new album. “One of the songs is the sound of a tree hearing itself for the first time,” he said. “It’s this confusing situation. My friend recorded a tree in my backyard in Georgia and played it back to itself, and so it sounds like Daft Punk, but I’m putting a sea shanty [in the song].”
Colbert then asked which sea shanty it was, to which Stipe said, “It’s the most familiar that everyone knows,” before breaking into ‘Drunken Sailor’.
“The tree has not responded yet,” Stipe added. “We’re gonna let his people get back to my people and see what happens.”
Speaking about the album’s delay in March, Stipe said: “Covid didn’t help, but I’m finishing it. When the band split, I just needed a break. I took five years but I got pulled back into music. It’s been a struggle. That’s the main thing. I want it to be great, but I’ve got the pressure of having been in R.E.M. and it’s a high bar, because I want this to be as good as that, and that’s near impossible.”
Previous Stipe solo releases include the 2019 single ‘Your Capricious Soul’ and ‘Drive To The Ocean’ the following year. He also released ‘No Time For Love Like Now’ with Aaron Dessner’s Big Red Machine in 2020.
Last month, he also joined forces with Andrew Watt, Josh Klinghoffer and Travis Barker to share the new theme song for the show Rooster.
By all accounts, Stipe remains on good terms with his former R.E.M. bandmates – guitarist Peter Buck, bassist Mike Mills and drummer Bill Berry – and they appeared together in summer 2024 when they were inducted into the Songwriters Hall of Fame.
The band split amicably in 2011, while Berry had left the group during the height of their commercial success in 1997. However, at the ceremony, the quartet gave a surprise acoustic performance of their 1991 classic ‘Losing My Religion’. That marked the first time the four played live together since their 2007 Rock and Roll Hall of Fame induction.
Last month, Stipe joined Michael Shannon and Jason Narducy at one of their ‘Lifes Rich Pageant’ 40th anniversary tour shows in Brooklyn. They played versions of R.E.M.’s ‘These Days’ and ‘The Great Beyond’. A year ago, he also sang ‘Pretty Persuasion’ with them.
Stipe has also been clarifying lyrics from ‘It’s The End Of The World As We Know It (And I Feel Fine)’ on Bluesky, revealing that many fans have been getting some of the lines wrong for decades.
Rappers are always debating who belongs on the greatest of all time lists, and now Max B is putting his own name beside some of New York’s biggest legends. Conversations about the GOATs of Hip Hop have been part of the culture for years, and during a recent sit down on Million Dollaz Worth of Game with Gillie and Wallo alongside French Montana, Max made it clear where he believes he stands among NYC rap icons.
“Look, after Big, Jay, and Nas, you can put me on that mothf*cker right after that,” Max said confidently. “That’s how I feel about it after that. I can prove it.” He continued by saying, “After them, you can’t really... put ’em up.” Wallo stepped in to make sure Max truly believed he deserved to be mentioned beside the heavyweights of Hip Hop.
“So, after Big, Jay, Nas, Rakim, Big Daddy Kane...” Wallo started to say before Max cut him off. Gillie then brought LL Cool J into the discussion as well. Max responded, “When it comes to creativity, or just consistent songwriting, I just don’t think anybody got the catalog to match me. Look at my catalog! Look at my tapes! Look at my domains!... Look at the Coke Wave!”
French Montana also jumped into the conversation, pointing out that some rappers only stay hot for a short moment before fading out. Wallo pushed back by mentioning that Big Daddy Kane has managed to remain respected for decades. Max quickly dismissed that argument. “Kane? I ain’t seen Kane? When’s the last time you seen Big Daddy Kane? N*gga, I just did 18 years, I ain’t seen Kane, he wasn’t even on the kiosk! Big Daddy Kane?!”
Do you think Max B’s legacy really puts him above some of the other legendary New York emcees? Watch the clip below and decide for yourself.