NEWS
An album of Black Sabbath’s early recordings, when they still went by the name Earth, is set to be released for the first time.
Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward first came together in 1968 and originally named themselves The Polka Tulk Blues Band, before transitioning to Earth shortly afterwards.
In 1969, they recorded a number of demos in Zella Studios in Birmingham that were never released. Later that year they changed their name again to Black Sabbath, after a song they had recently written which itself was named after the 1963 Italian horror film of the same name.
With Sabbath’s huge farewell show set to take place this Saturday (July 5), it has now been announced that an album of demos that Earth recorded in 1969 will be released under the title ‘Earth: The Legendary Lost Tapes’.
The project has been overseen by Jim Simpson, the band’s first manager. “Before Black Sabbath, the band were known as Earth – a blues-driven powerhouse already making a name for themselves,” he has said. “This new release presents rare early recordings from that era, remastered from long-lost tapes.”
“These recordings clearly demonstrate what fine music they produced right from the very beginning. We recorded these tracks at Zella Studio in Birmingham in 1969, but held back from releasing them as their style was evolving so quickly.”
“Now, some 57 years later, the recordings assume a greater importance, illustrating how these four young men from Birmingham, barely out of their teens, were excellent musicians and a fine band, fully deserving of all the success that was to come their way.”
‘Earth: The Legendary Lost Tapes’ will be released on July 25 via Big Bear Records, although it is understood that the members of Black Sabbath are not involved in the release.
Ahead of their final show, Sabbath have been awarded the freedom of the city of Birmingham, with all four members being presented with scrolls and medals by the Lord Mayor.
Last week, the band shared their first behind-the-scenes look at preparations for their upcoming final show.
The Prince Of Darkness has not played a full gig since 2018, and has undergone multiple surgeries and experienced numerous health problems in recent years, including Parkinson’s disease.
Despite his health, Osbourne has said he is “giving 120 per cent” as he prepares for his last performance. “I’ve got this trainer guy who helps people get back to normal,” the singer said. “It’s hard going, but he’s convinced that he can pull it off for me. I’m giving it everything I’ve got. All I can say is I’m giving 120 per cent. If my God wants me to do the show, I’ll do it.”
He had previously told fans that he was “in heavy training” for the Black Sabbath farewell concert, and was back in the gym. Osbourne also said he would only be “doing little bits and pieces” with Sabbath at Villa Park amid his health problems: “I am doing what I can, where I feel comfortable.”
Morrissey has written an emotional tribute to his former manager Peter Katsis, remembering him as “a very unusual star” and declaring that “a world has ended”.
Peter Katsis passed away last Thursday, August 6, aged 69. His death was reportedly caused by complications linked to congestive heart failure.
Born in Chicago, Katsis became a respected name within the music world, working as a manager for artists such as the Smashing Pumpkins, Backstreet Boys, Snoop Dogg and Jane’s Addiction. After news of his death emerged, the former Smiths singer initially responded by posting a picture of Katsis.
Morrissey has now published a more detailed remembrance, accompanied by an image showing Katsis dressed in drag while attending a New York Dolls concert in Chicago in 1973.
Looking back at the picture, Morrissey said: “He certainly got into the spirit of things. Given his bustling masculinity, he would roar with laughter to know that I have used this shot in summation of his life.”
“I am justifiably glum this week, and it has taken me several days to even face writing this because PK was a very unusual star: an adventurer who enjoyed biting off more than most people could collectively chew,” he continued. “He was very much liked – which was unusual in a music manager. In a way, a dreamy-eyed romantic, but when necessary, a trick octopus.”
Sharing more memories of Katsis and his larger than life personality, Morrissey added: “All liberties were taken; all fun encouraged and consumed. He knew how and when to give momentum another good shove. Sometimes his Chicagoan knuckle-district dialogue was slightly comic strip, but it was all part of his self-destructive charm… taunting an overdose of Dom Perignon because… well, why not?”
The singer also recalled how the pair viewed the music industry in much the same way. “We were similar in that we were both correct too early – on all predictions. He knew that most modern bands contained neither danger nor mystery, but he gritted his teeth and dealt with the platitudinous industry gabble of Los Angeles.”
Turning to a deeply personal moment in their friendship, Morrissey continued: “When my mother died in 2020, he raced to my side. He knew I couldn’t deal with it. He immediately introduced me to Andrew Watt and we recorded “Bonfire Of Teenagers” faster than the speed of sound – an undreamed-of rescue at a time when another day, for me, might not have come.”
Morrissey ended his message by writing: “The future is now merely the remainder of life. Dead brother buried. A world has ended.”
“Bonfire Of Teenagers” was created across 2020 and 2021 with Watt handling production. The record features appearances from Miley Cyrus, Iggy Pop and musicians from Red Hot Chili Peppers, although the album has still not received an official release.
Several other music figures have remembered Katsis since his passing, including Smashing Pumpkins vocalist Billy Corgan. Corgan described him as “a dear friend and extended member of our family” and praised his role in helping to “usher in the alternative revolution of the ’80s and ’90s and beyond”.
More messages honouring Katsis can be viewed here.
