NEWS
Sam Fender‘s three huge Newcastle shows boosted the local economy by £16.5million, new figures show.
The homecoming gigs took place at St. James’ Park on June 12, 14 and 15, and saw the singer-songwriter and guitarist head back to the football ground after first playing there in 2023.
The sold-out shows made Fender the first Geordie artist to headline the stadium. They also saw him bring out AC/DC’s Brian Johnson and pay tribute to Bruce Springsteen.
Now, it’s been reported that the shows boosted the local economy by £16.5million, with around 150,000 fans heading to Newcastle to attend, per BBC News.
According to figures released by investment agency NewcastleGateshead Initiative (NGI), the shows brought in extra revenue for bars, restaurants and hotels.
The figures are based on NGI data gathered from visitor and supply chain spend, generated via visitor surveys, hotel occupancy data, average room rates and spending in retail, restaurants and pubs.
Elsewhere at the Newcastle gigs, Fender brought out his former guitar teacher Phil Martin for a cover of Thin Lizzy’s classic track ‘The Boys Are Back In Town’ – something seen in previous Newcastle shows – and also introduced the Easington Colliery Brass Band for ‘Remember My Name’.
He was also joined on stage by CMAT and Olivia Dean, as well as his brother, Liam.
The shows follow on from Fender playing at the 82,500-capacity London Stadium the week earlier, as he kicked off his huge UK summer tour. For the gig, he was joined by Dean for a rendition of ‘Rein Me In’ – which they later released an official version of. He also used the show to give a passionate pro-Palestine speech.
“It breaks my heart, and it’s probably more relevant now than it was then. I don’t know if you’ve noticed but we’ve got Doctors Without Borders with us at the show tonight,” he said.
“They do incredible work out there, they’re legitimate, real heroes who are out there helping the people, and they’re gonna be with us on all of our summer shows.”
In August, Fender will play three big outdoor gigs in Manchester, Edinburgh and Belfast, as well as top the bill at Ireland’s Electric Picnic. Find any remaining tickets for Fender’s UK and Ireland headline dates here.
In a four-star review of his most recent album, ‘People Watching’, NME shared: “Reflective, analytical and vulnerable, ‘People Watching’ does exactly what the title may suggest: takes stock of the characters, friends and loved ones who have made Fender the person he is today. He approaches each track with sensitivity as he looks back on his life so far – perhaps even with an inkling of guilt – and contemplates who he may be next.”
Reneé Rapp is seen as a “huge inspiration” by SZA.
The 25-year-old artist performed SZA’s Good Days in the BBC Radio 1 Live Lounge, accompanied by two acoustic guitarists and a harp player. SZA, 35, was deeply moved by the rendition.
She posted a short video of the moment on Instagram Stories and wrote: “Renee is a HUGE inspiration, energy, voice spirit.”
During her chat with the BBC, Renee shared her thoughts about the track. She said: “I mean, I love SZA. I mean, she was one of my favorite artists in high school. And she's remained one of my favorite artists to this day. I think she's amazing. She's also, I mean, she's an incredible songwriter, but I think because she has so much swag. People don't realize how good of a singer she is. She's a fantastic vocalist and is really, really, really articulate. And I don't cover a lot of songs anymore. So I wanted to cover something that was, like, slightly challenging and also really vocally impressive, and frankly, hard for me to do.”
Renee is currently in the middle of promoting her second album, Bite Me, and opened up about how much more enjoyable it was to create compared to her first project.
She explained: “I mean, I feel like everything was incredibly different. I stopped listening to people that don't make music, because if you don't make music, then why the hell am I listening to you. And I also think the biggest difference, I think I just got a lot better. I think I have just become a better songwriter. I think I understand how to make pop music now in a way that I didn't really before. And I was very sure about what this album was and thematically, what it needed.
“So I felt like I was quite like, headstrong in like, what was gonna work and what wasn't. Because, nobody knows something better than yourself. I think a lot of things were different. I also just, like, had a lot of fun making it, like, I made it with like, three people, mostly, like, it was always like, four of us in the studio all the time, and we got so close, and some of us were already so close. So it was also just like a mess. It was such a mess, like we were just tweaking every day. It was so fun. And I don't think I enjoyed making the first one as much.”
