RJMrLA is gearing up for the release of a new album of his own, "OMMIO 4," which will be dropping on Friday, June 20th.

RJMrLA says he was hesitant to appear to Kendrick Lamar's music video for his GNX song, "Squabble Up," because the rapper's team wouldn't tell him which artist and which song the video was for. He explained how he was offered a role in the project during a recent livestream, which is circulating on social media.

When The Neighborhood Talk shared a clip of the stream on Instagram, fans in the comments section struggled to understand why it was done that way. "I need more context like how could he not know?" one user wrote. Others tried to break it down. "The majority of the people in that video didn’t know who they were doing the video for. They either had to say yes or no. Kendrick was not there when the scenes were shot," one user wrote. Another added: "A lot of videos and movies are made by editing and mixing filmed scenes together. So I can understand how he didn’t know."

RJMrLA previously told TMZ that he only learned it was a Kendrick Lamar music video when it released publicly on November 25, 2024. RJ previously worked with Lamar by performing his song "Get Rich," during The Pop Out: Ken & Friends concert in Inglewood, last year.

RJMrLA's comments on working on the "Squabble Up" music video come as he prepares for the release of his new album, OMMIO 4. The project is dropping on Friday, June 20th. He already released the singles "Baby," and "Ramen."

Kendrick Lamar & SZA's "Grand National Tour"

As for Kendrick Lamar, he's been traveling on the Grand National Tour alongside SZA in recent months. The two made headlines for performing in Drake's hometown of Toronto, Canada, last week. Drake addressed the concerts by calling out the former leader of the NDP, Jagmeet Singh, for attending one of the shows. "You're a goof," he wrote in a direct message to him on social media.

Singh ended up putting out a statement to apologize for the move. "I went for SZA, not Kendrick," he wrote. "I was born in this city, I love this city. But real talk, I get it. I shouldn't have gone at all. OVO and Drake have lifted up this city and Canada. For me it'll always be Drake over Kendrick."

Earlier on Friday, Jan. 30, news reports announced an upcoming Netflix documentary exploring the early years and success of the Red Hot Chili Peppers and the impact of the band’s original guitarist Hillel Slovak, who died in 1988 of an accidental heroin overdose.

Directed by Ben Feldman, Variety reported that The Rise of the Red Hot Chili Peppers includes input from members Anthony Kiedis and Flea and is set to premiere on March 20. “At its heart, this is a deeply relatable story — about the friendships that shape our identities and the lasting power of the bonds forged in adolescence,” Feldman said in a statement at the time. “What’s less relatable, of course, is that here those friends went on to create one of the greatest rock bands in history. I’m profoundly grateful to the band and to Hillel’s family for their trust and generosity, and to Netflix for helping bring this story to the world stage.”

However, following the announcement, the band later released their own statement distancing themselves from the project. “About a year ago, we were asked to be interviewed for a documentary about Hillel Slovak. He was a founding member of the group, a great guitarist, and friend. We agreed to be interviewed out of love and respect for Hillel and his memory,” wrote the band in a post shared on social media. “However, this documentary is now being advertised as a Red Hot Chili Peppers documentary, which it is not,” they clarified. “We had nothing to do with it creatively. We have yet to make a Red Hot Chili Peppers documentary. The central subject of this current Netflix special is Hillel Slovak and we hope it sparks interest in his work.”

The group originally encompassed Slovak, Kiedis, Flea, and drummer Jack Irons. It has since gone through several iterations following Slovak’s tragic death, with Irons leaving the group soon after.

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