NEWS
Lorde called her friends Charli XCX, Chappell Roan, and Gracie Abrams live on the radio – and managed to catch one of them mid-hangover.
While appearing on BBC Radio 1, the singer played a game of ‘Sitting or Standing’, where she had to call friends and guess if they were on their feet or sitting down at the time of answering.
Lorde called up Abrams first, who was confused upon picking up. “I’m standing, should I sit?” Abrams answered in a perplexed tone after Lorde guessed she would be sitting.
Roan was the next to be surprised with a phone call, and Lorde guessed incorrectly again. “I’m so sorry, I’m on Radio 1, I’m doing this horrible show where they make me ask this ridiculous question,” the New Zealand musician said. “Wait, so is this on the radio?” Roan asked.
Last to get phoned was Charli XCX, who responded: “What is happening? I’m lying down.”
Charli XCX then admitted to being hungover, as Lorde laughs along with her: “I’m so hungover. Oh, hi, everyone. I can’t believe I’m on the radio like this.”
Last year, Lorde and Charli XCX squashed their beef and reignited their friendship in the ‘Girl, so confusing’ remix, which came out as part of Charli XCX’s ‘Brat’ remix album. The reworked song first came around when Charli admitted Lorde served as partial inspiration for the original lyrics, saying she was “super jealous” of her song ‘Royals’ and its success.
This jealousy is what inspired the song’s pre-chorus: “People say we’re alike / They say we’ve got the same hair / We talk about making music / But I don’t know if it’s honest”.
A few weeks after the release of ‘Brat’, Charli unveiled a new version of the track, this time featuring Lorde. The track would feature a memorable verse from Lorde, who opened with: “Well, honestly, I was speechless / When I woke up to your voice note / You told me how you’d been feeling / Let’s work it out on the remix”.
Charli then said the remix was actually Lorde’s idea, recalling: “The day before the record came out, I left her a voice note. [Lorde] replied straight away and was like, ‘Oh, my God, I had no idea you felt this way. I’m so sorry.’ And then was like, ‘You know, maybe I should be on a version of the song.’ I didn’t even ask her. She brought it up.
“So much of this rollout was planned, but sometimes it was not,” she concluded. “Lorde’s remix of ‘Girl, so confusing’ is a perfect example. That wasn’t planned. It took three days total.”
In response, Lorde called working with Charli “such a huge honour”, adding: “I love that we truly did work it out on the remix. There’s something very brat about that, something very meta and modern. Only Charli could make that happen.”
Lorde is set to embark on her UK, European and North American ‘Ultrasound’ tour later this year. She recently promised fans that the forthcoming gigs “could be our masterpiece”.
Special guests on the tour will include The Japanese House, Nilüfer Yanya, Chanel Beads, Empress Of and Oklou, as well as Blood Orange – with Devonte Hynes featuring on the album – and co-producer Jim-E Stack. Visit here for North American tickets and more information, and here for any remaining tickets and details for UK and European dates.
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
