NEWS
Even StubHub wants to get in on the Kendrick Lamar and Drake beef. StubHub revealed that ticket spiked on Thursday afternoon (June 12) for Kendrick Lamar's Grand National Tour at Toronto's Rogers Centre. In a X post, the company announced that Kendrick's tour has made Toronto one of the top five best-selling cities. The new record was based on total ticket sold.
The Toronto stop was always an anticipated show because of Kendrick Lamar's 2024 rap battle with hometown hero Drake. The two exchanged chart-topping diss tracks towards each other, including "Euphoria," "Family Matters," and "Not Like Us." Lamar would release the GNX album at the end of the year.
Kendrick's Toronto stop on the tour includes a two-night event co-headlined by SZA. The new Toronto record follows Wednesday's announcement of the Grand National Tour headed to Australia this summer. Kendrick Lamar has broken concert attendance records cities across the nation, including Dallas, Los Angeles, and Seattle.
Kendrick Lamar’s Grand National Tour has shattered several historic records, solidifying his status as a dominant force in hip-hop and live music. The tour’s Minneapolis opener set a new benchmark as the highest-grossing hip-hop concert of all time, pulling in over $9 million from more than 47,000 fans. In Atlanta, he and SZA drew a massive 45,000 attendees at Mercedes-Benz Stadium, setting a single-night hip-hop stadium attendance record, even as Pearl Jam played across town.
Streaming numbers mirrored the tour’s explosive impact. Lamar became the first rapper in history to surpass 100 million monthly Spotify listeners, joining the elite ranks of global pop icons. His album GNX also broke records, debuting with over 44 million first-day streams on Spotify and notching the largest opening streaming week for a hip-hop or R&B release in 2024.
Spanning 21 stadiums across North America between April and June 2025, the tour added extra shows in Los Angeles and Toronto due to overwhelming demand. The Grand National Tour isn’t just a concert series—it’s a cultural moment. With unmatched scale and reach, it redefines what's possible for hip-hop artists on a global stage.
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
