NEWS
Even StubHub wants to get in on the Kendrick Lamar and Drake beef. StubHub revealed that ticket spiked on Thursday afternoon (June 12) for Kendrick Lamar's Grand National Tour at Toronto's Rogers Centre. In a X post, the company announced that Kendrick's tour has made Toronto one of the top five best-selling cities. The new record was based on total ticket sold.
The Toronto stop was always an anticipated show because of Kendrick Lamar's 2024 rap battle with hometown hero Drake. The two exchanged chart-topping diss tracks towards each other, including "Euphoria," "Family Matters," and "Not Like Us." Lamar would release the GNX album at the end of the year.
Kendrick's Toronto stop on the tour includes a two-night event co-headlined by SZA. The new Toronto record follows Wednesday's announcement of the Grand National Tour headed to Australia this summer. Kendrick Lamar has broken concert attendance records cities across the nation, including Dallas, Los Angeles, and Seattle.
Kendrick Lamar’s Grand National Tour has shattered several historic records, solidifying his status as a dominant force in hip-hop and live music. The tour’s Minneapolis opener set a new benchmark as the highest-grossing hip-hop concert of all time, pulling in over $9 million from more than 47,000 fans. In Atlanta, he and SZA drew a massive 45,000 attendees at Mercedes-Benz Stadium, setting a single-night hip-hop stadium attendance record, even as Pearl Jam played across town.
Streaming numbers mirrored the tour’s explosive impact. Lamar became the first rapper in history to surpass 100 million monthly Spotify listeners, joining the elite ranks of global pop icons. His album GNX also broke records, debuting with over 44 million first-day streams on Spotify and notching the largest opening streaming week for a hip-hop or R&B release in 2024.
Spanning 21 stadiums across North America between April and June 2025, the tour added extra shows in Los Angeles and Toronto due to overwhelming demand. The Grand National Tour isn’t just a concert series—it’s a cultural moment. With unmatched scale and reach, it redefines what's possible for hip-hop artists on a global stage.
Fontaines D.C. have teamed up with Rosalía for their new collaboration, Where Is Gone?.
The song features on the Irish rock band's forthcoming album, Dopamine Chamber, which arrives on Friday (16.10.26). For guitarist Carlos O’Connell, working with the Spanish superstar is particularly special because of his own Spanish roots.
He explained: “I’ve admired Rosalía ever since her debut album, which I thought was absolutely beautiful.
“What excited me most was the way she continued to preserve Spain's musical traditions, something that felt spiritually connected to what we've been trying to achieve with Irish music. Having roots in both countries, it's been really special to witness. "She's an artist who has continued to amaze me at every point in her career.”
Frontman Grian Chatten has also described the collaboration with Rosalía as one of the most memorable achievements of his career.
He revealed that he felt "humbled" when she agreed to lend her voice to the band's album.
Speaking to NPR, Grian said: “I've always felt there's something almost like a single big idea that I'm personally trying to communicate to the world before I get old and die, if that makes sense. There's one thing I think I'll spend my life trying to express. I have a feeling she has a similar outlook. … I mean, she's an amazing arranger, composer and lyricist. It means so much that she wanted to sing on something we'd put together. It's definitely one of the highlights of my career.”
Rosalía's links to Irish rock music extend beyond Fontaines D.C. She also offered inspiration and helped develop the Spanish lyrics for U2's The Mirror Maker (Rosalía), a track from their forthcoming album, Carnaval de Luz.
During an appearance on The Tonight Show Starring Jimmy Fallon last week, she spoke about frontman Bono, saying: “I don't know him personally, but he sent me a text explaining that he was working on a new project and had written a song called The Mirror Maker."
Rosalía joked that Bono had invented a few words of his own.
She recalled telling him: “I wasn't sure what to make of it, but I told him he could create his own language if he wanted to.”
She described the opportunity to collaborate with the 66 year old music veteran as a real privilege.
She added: “Bono is a legend.
“It's amazing.”
Bono recently revealed that he was worried about seeming like a stalker when he reached out to Rosalía to ask whether he could name the song after her.
