NEWS
An OVO takeover was anticipated at Kendrick Lamar's Grand National Tour stop in Toronto to support the hometown hero, Drake.
However, the planned gathering was quickly dispersed by Toronto police as concert goers arrived at Rogers Centre. The OVO takeover was meant to be a peaceful gathering in support of the Drizzy. Fans participating in the takeover informed social media that they were forced to leave after authorities received concerning calls.
In a statement shared on social media, the organizers of the OVO takeover wrote the following:
"Unfortunately, we have to cancel the OVO Takeover. We genuinely just wanted to bring people together, have some fun, and create good vibes for the city. But unfortunately, some people decided to report us, falsely claiming we were planning to "start trouble" or cause chaos. Because of those reports, police were already on high alert and were quick to shut down anything that even looked like a crowd forming - including us."
The statement would share that the gathering wasn't expected to draw large numbers. It originally began as a joke that quickly transformed into a movement. It would even draw local media attention.
"We didn't expect things to blow up the way they did," the organizer wrote. "What started as a joke turned into a full-on movement, and y'all made that happen. Shoutout to the media outlets that pulled up - CTV, CityNews, CP24, Virgin Radio, MuchMusic - and most importantly, shoutout to every single one of you who showed love and made this real."
Thankful of the united support of Drake fans across Toronto, the organizer's statement would request fans that attended the gathering to message them on social media and organize another outing.
The statement continued: "To make sure your time wasn't wasted, if you pulled up at all, DM us any videos or photos you took - we'll be mailing out hoodies to everyone who came through. Just give us a few days to process everything. We'll also be running a few giveaways over the next couple days to get the rest of the hoodies out. We're honestly disappointed it had to end like this — it was all meant for the culture, for the city, and for the fun of it. But the fact that so many of you cared enough to show up means the world. Thank you for turning something spontaneous into something unforgettable. We'll be back."
Kendrick Lamar's Grand National Tour in Toronto has helped the city become one of the top five stops on the tour based on tickets sales, according to StubHub. The OVO takeover's disperse follows the postponement of Drake and Kai Cenat's livestream set for Thursday evening (June 12) at 8 PM EST.
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
