NEWS
In a new interview with Frazier Tharpe, for GQ, Pusha T said that he departed his longtime label home, Def Jam Recordings, over the company’s apparent reluctance to release a new Clipse song featuring a guest verse from Kendrick Lamar. “They wanted me to ask Kendrick to censor his verse, which of course I was never doing,” he claimed. “And then they wanted me to take the record off.” Ultimately, the parties agreed to go their separate ways, according to Pusha T, and Clipse’s new comeback album, Let God Sort Em Out, is being released in partnership with Jay-Z’s Roc Nation.
Pusha T’s longtime manager, Steven Victor, also discussed the rapper’s Def Jam departure in a new interview with Billboard. “Yeah, I don’t know what their concern is,” Victor said. “But they were like, ‘There’s a line here; we think it’s controversial; [Kendrick] needs to change it, or we’re not putting it out.’ We’re not going to ask him to change the verse. You guys are wrong. Stop looking at this this way. None of this makes any sense.”ss action waiver and arbitration provisions), and acknowledge our privacy policy.
According to Victor, Pusha T “had like three albums left” on his deal with Def Jam. In addition, he also claimed that the musician “had to pay seven figures to get out of the deal.”
Representatives for Def Jam Recordings and its parent company, Universal Music Group (UMG), did not respond to Pitchfork’s requests for comment.
Universal Music Group is facing active litigation from Drake, who claims that UMG “waged an unrelenting campaign” to promote Kendrick Lamar’s “Not Like Us,” the hit diss track that Drake believes is defamatory. Both Drake and Lamar also release music through UMG-owned labels, Republic Records and Interscope Records, respectively.
Labels owned by UMG released or co-released many of the songs in the Lamar-Drake feud of 2024. For Lamar, those officially sanctioned tracks were: “Like That,” “Euphoria,” “Meet the Grahams,” and “Not Like Us.” On Drake’s side of things, he released “Push Ups” and “Family Matters” in partnership with Republic.
Years before the Kendrick Lamar and Drake imbroglio, Pusha T shared his own vicious diss track against the Canadian hip-hop superstar. Notably, Pusha T did not go through his label to drop “The Story of Adidon,” instead posting it on SoundCloud. Speaking with Billboard, Steven Victor said that Pusha T shared his song independently, in part, “to avoid” objections from Def Jam and UMG.
The new Clipse song featuring Kendrick Lamar is called “Chains & Whips,” and it played during one of Pharrell Williams’ runway shows for Louis Vuitton. It is currently unclear if the song (with or without a Kendrick Lamar verse) will appear on Clipse’s Let God Sort Em Out, which gets released on July 11.
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
