Yungblud and Florence Pugh served pints to fans in a central London pub to celebrate his new single, ‘Zombie’.
Released yesterday (May 30), the anthemic and emotional rock track is the latest preview of ‘Idols’ – part one of the Doncaster artist’s – real name Dominic Harrison – double fourth album, which is released on June 20 (pre-order/pre-save here).
Pugh (We Live in Time, Oppenheimer) stars in the powerful official music video for ‘Zombie’, playing a healthcare worker at her emotional brink, overwhelmed by grief and exhaustion.
To celebrate the collaboration, the duo surprised punters at The Devonshire in Piccadilly, central London last night (May 30) by putting in a shift behind the bar to pour pints of Guinness.
It’s not Harrison’s first time as a bartender – recent he showed up at his favourite London pub, The Hawley Arms in Camden Town, where he pulled pints for fans to mark the release of ‘Lovesick Lullaby’.
Check out the footage from last night below.
Yungblud debuted the song at an intimate gig at London’s Scala in March. He later said the ballad was about “feeling you’re ugly, and learning to battle that”, while detailing his experiences with eating disorders and body dysmorphia.
“The song was written initially about my grandmother going through serious injury and trauma, leading her to become a different person to who she was before,” Yungblud explained in a new statement.
“It’s about the feeling of deterioration and ugliness; shutting out the world and the people we love out of the fear of becoming a burden or an embarrassment.”
He added: “We all want someone or something to comfort us, no matter how we are right now or who we become in the future. But it’s fucking scary.”
The soaring, poignant single features a performance from the London Philharmonic Orchestra.
‘Zombie’ follows on from Yungblud’s previous singles ‘Hello Heaven, Hello’ and ‘Lovesick Lullaby’. ‘Idols’, described as his “most ambitious” release yet, follows the musician’s 2022 self-titled third album.
Last December, Yungblud exclusively revealed to NME that he had a “double album” on the way. “The new album centres around the idea of self-love and self-reclamation that allows people to feel seen, and emit this light,” he told us at the time.
“You can be seen for who you truly are, no matter where you’re from or what you believe… That’s what I needed to write an album about.”
During an earlier interview, he told NME that he had been inspired by the likes of Oasis, The Verve, Primal Scream, My Chemical Romance, David Bowie and Madonna on the Britpop-influenced LP.
Meanwhile, Yungblud has announced a brief run of intimate UK shows, dubbed ‘Idols – Up Close And Personal’. The dates follow the second edition of Yungblud’s BludFest in Milton Keynes on June 21, and come ahead of his ‘Idols’ headline tour in North America and Europe.
In other news, Yungblud, has criticised the current cost of festival tickets, saying he “100 per cent” agrees that prices have “got out of hand”. Harrison spoke about his vow to make BludFest 2 affordable for fans (£65), “because that’s the way it should be”.
“In this world, there is nothing you can’t achieve if you are doing it from a place of truth, and for the right reason,” Harrison said, having previously declared that “music should be accessible to everyone”.
Samsung has officially answered the $15million lawsuit filed against them by Dua Lipa, denying the claims made by the singer.
The artist filed the lawsuit against the electronics giant earlier this month, accusing the company of using her image without approval to help market televisions.
The complaint focuses on cardboard TV packaging released by the brand in 2025, which allegedly featured a photo of the singer without compensation or permission being granted beforehand.
According to the lawsuit, her legal representatives attempted to stop Samsung from continuing to use the image, but claimed the company responded in a “dismissive and callous” manner. The filing also referenced reactions posted by fans on X/Twitter, where some users admitted the packaging influenced their interest in buying the TV.
“I’d get that TV just because Dua Lipa is on it,” one fan wrote, while another posted: “I wasn’t even planning on buying a tv but I saw the box so I decided to get it.”
The lawsuit includes allegations of copyright infringement, violations tied to California publicity rights laws, federal Lanham Act claims, and trademark related accusations.
Samsung has now issued a public response to the case and pushed back against the allegations made by the ‘Dance The Night’ hitmaker.
In a statement, Samsung explained: “The image of Dua Lipa was used in 2025 to display content from third-party partners available on Samsung TVs.
“Originally, the image was provided by a content partner for the free streaming service Samsung TV Plus. It was only used after the content partner had given explicit assurances that all necessary rights had been obtained – including use on sales packaging.”
The company also stated that it has “great respect for Dua Lipa” along with the intellectual property rights of artists, adding that it remains “open to a constructive solution” with the singer.
At this point, Dua Lipa’s representatives have not publicly addressed Samsung’s latest response.
Elsewhere, the singer recently curated the London Literature Festival 2026 at the Southbank Centre, surprised fans with an unexpected appearance during Tame Impala’s headline performance at The O2, and was also announced as part of the cast for a new A24 comedy titled Peaked.