NEWS
Lil Yachty usually does a great job at feeding his fans new music. It seems like every other week he's got new snippets to tease or loosies dropping on DSPS whenever he feels like it. Just several hours ago, the Georgia multi-hyphenate hopped on over to his SoundCloud page, tHE CONCRETE LeaK sYstem, to share some long-lost recordings.
Per HipHopNMore, there's 11 in total and the origins of them range from 2022-2025. Some of you may remember that Lil Yachty updated this account almost a year ago with 14 tracks. Back then he unleased some unheard collaborations with his 2016 XXL Freshman classmate 21 Savage and singer Vory.
In the time since then, Yachty did drop off a pair of freestyles as well. But this is the latest major collection to be added to tHE CONCRETE LeaK sYstem.
Overall, the cuts here feel reminiscent of his earlier material in that they are more trap focused. However, the main some extra charm with most of the beats featuring some slightly left-field quirks.
They definitely don't relate at all to what Lil Boat has been experimenting with solo catalog wise. His 2023 album Let's Start Here. was a psychedelic rock exploration. Then, there's his 2024 collaboration joint with James Blake, Bad Cameo.
On that, Lil Yachty stepped into the London artist's soundscape in some ways by bringing his warbly singing voice to neo-soul, alternative R&B, and ambient pop.
But unfortunately for the 27-year-old, him sharing of all of this music with his fans has been interrupted to some degree. That's because Yachty is still going back and forth with former Concrete Boys group mate, KARRAHBOOO.
Her initial split from Boat's collective was a shocking development when it originally happened about a year ago. However, as the two rappers repeatedly went at each other's throats, we began to learn more. Yachty was claiming that KARRAHBOOO was incredibly disrespectful to those involved with the group.
Moreover, it led to him claiming that he was writing all of her verses and tracks. KARRAHBOOO has since retaliated, of course, but she really went after him recently. Just two weeks ago, she alleged that he mistreats women poorly overall. "U have a daughter and u treating women like this is mindblowing like I know u never see her but still that doesn’t make sense how evil this man is to women (not just me)," she said in part.
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
