On March 14, Playboi Carti released his long-awaited third album, MUSIC. The album featured a long line of collaborators, including Lil Uzi Vert and three different appearances from Kendrick Lamar. However, one big name was conspicuously absent from the tracklist: Kanye West. West co-produced the song “BACKD00R,” a track that featured Lamar and Jhene Aiko. He did not rap on the album, which he attributed to Carti's fear of including him after his latest string of hateful activity on X.
Following a back-and-forth that included Iggy Azalea (the mother of Carti’s son) asking West not to name-drop her and Carti’s young son and Carti telling Ye to “STFU” in an X post that’s since garnered over 750,000 likes, it seems that a once-productive relationship is no more. But, how did we get here? How did their creative partnership, which resulted in several hit singles and platinum records, turn so sour, so quickly? Let’s take a look at their history and what led to such an explosive fallout.
After Playboi Carti relocated to New York City in 2016, he signed with AWGE and joined A$AP Mob. Joining A$AP Mob and working with de facto collective leader A$AP Rocky proved to be his way into more mainstream music circles, as he was still an aspiring artist with a cult following before that meeting. The following year, Kanye West, who Carti called a “fashion inspiration” in a Vogue Magazine interview shortly after releasing his self-titled debut mixtape, cast him as a model for his popular Yeezy clothing brand, marking the first time the two ever crossed paths.
On December 25, 2020, Playboi Carti released Whole Lotta Red, his second album. Carti experienced viral success ahead of the album’s release, with the unreleased track “Pissy Pamper” dominating TikTok in 2019 and 2020. He also appeared on the song “Pain 1993,” a collaboration with Drake. Carti had expectations to deliver on, and one of the men who helped him meet those expectations was Kanye West.
West, who was deep into his short-lived rebrand as a Christian rapper, was the executive producer of Whole Lotta Red. In a conversation with Kid Cudi for Interview Magazine, Carti called West “the OG.” He showed his appreciation for West and how he operated. “Being able to talk to somebody who understands what I’m saying, I got that from his whole camp. I felt that energy from everybody he deals with.” Carti also called him the “ultimate big bro.”
Whole Lotta Red divided fans initially, with the new aesthetic being much different from his self-titled mixtape and Die Lit. Despite that, fans quickly latched onto “Go2DaMoon,” the track with West. Despite his growing list of controversies, as well as the potential hypocrisy of being a self-professed “Christian rapper” and having such a large role in the creation of a Playboi Carti album, West was among the most celebrated hip-hop artists of the 21st century. His co-signs mattered. Whole Lotta Red is still a divisive release, but nearly five years later, it’s a foundational recording in the rage subgenre of trap music.
In 2021, Kanye West released Donda, his tenth album. The song “Off The Grid,” featuring contributions from Playboi Carti and Fivio Foreign, immediately became a fan favorite. Fans and critics called it one of the best hip-hop songs of 2021. The track also experienced success numbers-wise, peaking at #11 on the Billboard Hot 100 and going platinum.
To open 2024, West and Carti reunited for several more songs, which appeared on West and Ty Dolla $ign’s Vultures collaborative albums. Of the several songs they made, “CARNIVAL,” from Vultures 1, was the topic of most discussions. West received most of the criticism for calling himself “Ye Kelly” and making references to Bill Cosby, Diddy, and Jesus. Carti received praise for his verse and energy on the track, one of the highlights on an album met with an otherwise lukewarm response. “CARNIVAL” became far and away the biggest hit of the Ye-Carti partnership. It was West’s fifth #1 single on the Hot 100 and Carti’s first. It’s also been certified double platinum. Even as West’s already precarious public image continued to deteriorate, he and Carti continued to find success musically.
NEWS
There is no question that Clipse’s Let God Sort Em Out made a serious impact and continues to hold weight. The project showed that hip hop is not limited by age and proved that a long-awaited return can still land in a major way regardless of the time away.
If you need a reminder, the Virginia duo’s fourth studio album debuted comfortably within the top five of the Hot 200. It secured the number four position and moved an impressive 118,000 units in its first week.
On top of that, it picked up a win at this year’s Grammys, earning Best Rap Performance for “Chains & Whips.” The album also received four additional nominations, including Best Music Video, Rap Album, and Album of the Year.
It is hard to believe the project will officially hit its one year mark this summer on July 11. Even so, Pusha T is making it clear that both supporters and critics should not be overlooking it anytime soon.
While performing at Coachella yesterday, King Push told the crowd that LGSEO still sits at the top, regardless of genre.
He said, “‘Let God Sort Em Out’ is still the album of the motherfckin year. Whole new year, still album of the year,” per Kurrco. “Album of the motherfcking year until we drop again. We don't care who dropping. It don't matter.”
That is a strong statement for obvious reasons, especially considering the recent claims surrounding Push himself.
Over the same weekend, hip hop social media lit up after several alleged reference tracks connected to Quentin Miller and Push began circulating. Three tracks surfaced in total, but one that drew the most attention was an alleged record titled “Real Gon’ Come.” It is said to come from the DAYTONA era, around 2017 to 2018.
The situation gained traction because fans remember the past tension between Drake and Pusha T before Drake’s clash with Kendrick Lamar. During that feud, Pusha accused Drake of using ghostwriters on tracks like “Infrared,” which appears on DAYTONA. On that song, he raps, “The bigger question is how the Russians did it /
It was written like Nas, but it came from Quentin.”
Reactions have been mixed. Some people argue it is not a major issue since Miller’s alleged contributions were limited to hooks. Others point out that the songs were never officially released, so they see no real problem. Meanwhile, critics view it as clear hypocrisy on Pusha T’s part, a perspective that DJ Akademiks has also supported.
