NEWS
John Legend has defended his decision to play a gig in Rwanda despite the country’s involvement in the war with the Democratic Republic of Congo.
The singer performed at the BK Arena in Kigali, Rwanda last week (February 21) as part of the 2025 edition of Move Afrika. As reported by BBC, recently M23 rebels, backed by Rwanda have gone on to seize the two largest cities in the mineral-rich east of the Democratic Republic of Congo. Evidence shows that Rwanda sent roughly 4,000 troops across the border to support the rebels.
According to the United Nations Population Fund, hundreds of thousands of civilians have fled their homes. There has also been a rise in violence, including the rape of children.
Speaking to the BBC about his decision to perform in Rwanda, Legend said: “I don’t believe that we should punish the people of Rwanda and punish the people of other countries when we disagree with their leaders.”
He revealed that he was not paid for the performance, explaining that he felt a duty to help “grow touring capabilities” on the African continent which tends to be overlooked by musicians during world tours.
“I’m aware of what’s happening [in DR Congo] and I’m aware of the calls there have been for me to not do this show, but I really believe that the mission of Move Afrika is still important,” he told the outlet.
Many have claimed that the musician – who holds an impressive and highly respected “EGOT” status (winner of an Emmy, Grammy, Oscar and Tony Award) – had the opportunity to make a powerful statement by choosing to opt out of the show.
Belgium-based activist Denise Zanesa urged Legend to not perform in the country, writing in a tweet: “Performing under the banner of a government complicit in war crimes, genocide, and mass atrocities in Eastern DRC would be akin to collaborating with oppression itself.”
Elsewhere, Grammy-Award-winning artist Tems had opted out of performing in Rwanda and shared a tweet that read: “So I recently promoted my show in Rwanda without realising that there is ongoing conflict between Rwanda and Congo. I never ever intend to be insensitive to real-world issues, and I sincerely apologize if this came across that way. I simply had no idea this was going on. My heart goes out to those affected. Conflict is no joke and I truly hope and pray for peace in this time”
Legend is no stranger to vocalising his political views. He previously shared his criticism of Donald Trump and unfriended Kanye West – who he’s collaborated with multiple times with in the past.
Previously speaking about how Trump played a role in severing his friendship with West – who now goes by Ye – Legend told The Axe Files podcast: “[Kanye and I] aren’t friends as much as we used to be. I honestly think because we publicly disagreed on his running for office, his supporting Trump, I think it became too much for us to sustain our friendship, honestly.”
NEWS
Fontaines D.C. members Carlos O’Connell and Tom Coll have been behind the production of the forthcoming second album from French indie outfit Film Noir. To introduce the project, the band has unveiled the paired singles ‘VIENS TIENS TOI’ and ‘VEGITA’, which you can listen to below.
The Fontaines D.C. guitarist and drummer worked alongside Film Noir at La Frette Studios just outside Paris. The renowned recording space is also where Arctic Monkeys created their two most recent albums, ‘Tranquillity Base…’ and ‘The Car’.
O’Connell is partnered with Film Noir vocalist Joséphine de La Baume, who is also known for her work as an actor, filmmaker and model. Together, they share two children, with their first child serving as the inspiration for Fontaines’ 2025 track ‘It’s Amazing To Be Young’.
Reflecting on the project while announcing his role in the album, O’Connell shared on social media: “In early 2020 I walked into a gig in a club in Paris and was introduced to a band called Film Noir. I fell in love with the singer, I went on to make babies with her to to fall in love twice again with them.
“A little while back myself, [Coll] and @filmnoirmusic went to La Frette and recorded their upcoming record.”
The guitarist continued: “Producing this record was one of the most beautiful experiences I’ve had. Blessed to have so many. This album means the world to me & I hope it’ll mean something to many more.”
Film Noir have offered an early look at the still untitled album through the release of ‘VIENS TIENS TOI’ and ‘VEGITA’. O’Connell handled production duties on both tracks, while Coll contributed drums. O’Connell also took care of mixing on ‘VEGITA’.
Opening with a light acoustic arrangement, ‘VIENS TIENS TOI’ gradually unfolds into a dreamy sound shaped by shoegaze influences. In contrast, ‘VEGITA’ leans into a brighter, surf inspired feel that complements de La Baume’s floating vocal performance.
The group has also released a behind the scenes video capturing moments from the recording sessions for their sophomore album, which can be viewed below. At this stage, no official release date has been announced.
Back in spring 2020, O’Connell collaborated with Film Noir on a rendition of Lee Hazlewood’s ‘For A Day Like Today’ (via LiveForever). When the track arrived, the band described the guitarist as “a great supporter of the European rock scene and a common friend”.
Film Noir first emerged with their debut EP, ‘Vertiges (Men Of Glory)’, in 2019, followed by ‘Tendrement’ a year later. Their first full length album, ‘Palpitant’, arrived in 2022.
Outside of music, Joséphine de La Baume portrayed Marie in the 2011 film adaptation of One Day alongside Anne Hathaway. She has also appeared in Apple TV’s The New Look and the Polish period feature Chopin, a Sonata in Paris.
O’Connell also produced the self titled debut album from Dead Dads Club, the new project led by former Palma Violets singer Chilli Jesson. Released in 2026, that record was also created at La Frette Studios.
Speaking with NME earlier this year, O’Connell explained that the French studio “feels like a home”. He continued: “There’s nothing about it that feels corporate or constrained by time. My mind goes into this creative mode in which I can hear things in a certain way, and it doesn’t stop until I leave the building.”
Jesson also spoke about the experience, saying: “It was really organic. Carlos, on one of the tours we were on together, was working on a Film Noir album, and he was always mixing it and playing around with sounds. He’d just come out of the studio at La Frette and to see that process, with the production, I was like, ‘Holy shit.’ I’d been in a world where it was all on the computer, and then suddenly he’s talking about a fucking bass drum that’s two metres long.’”
More recently, Fontaines D.C. contributed music to the soundtrack for Peaky Blinders: The Immortal Man. The band also appeared on the collaborative charity release ‘Help(2)’, which supports War Child.
The group are preparing to return to the stage this summer for their first performances in nearly a year, beginning with three headline concerts in Spain before taking on their first ever top billing appearances at Reading & Leeds 2026.
Their schedule also includes a headline performance at Electric Picnic in Ireland, alongside appearances at European and American festivals including Frequency, La Route du Rock and Shaky Knees.
Discussing new material with NME at the beginning of the year, O’Connell revealed: “We’ve been writing, it’s been fun. We’re at [Reading & Leeds] and there are a couple of shows before that. I think if the music is there, it could get busy.”
Asked whether any fresh songs could appear during the Reading & Leeds performances, he responded: “I’d say so. If there is stuff written, then I would say so, yeah. That’s what we used to do all the time, play the new stuff live, songs that weren’t even finished. It’s a good way to test the songs.”
O’Connell was also asked whether elements of the visual production from the ‘Romance’ era might carry over into the band’s 2026 shows. “I think ‘Romance’ was so intense in every [way]… the visual, the production, the setlist… It wasn’t just about the music,” he explained.
“It’s almost a bit of the identity of the band now, but I guess that’s the decision to make. Does that become the identity of the band, or actually, it’s just a phase and you reinvent it? I don’t know.”
He went on to add: “I personally like the idea of revisiting some old stuff at Reading & Leeds, making the setlist maybe a bit more ‘Dogrel’ heavy. I’m excited about that. I’ve been listening to music like that much more. This morning I was listening to Sonic Youth. I want to go [in] that direction, but we’ll see, because anything could happen now, literally anything.”
‘Romance’ ultimately secured the Number Two spot on NME‘s list of the 50 best albums of 2024, finishing just behind Charli XCX’s ‘Brat’.
