Diddy is down one lawyer in his federal racketeering and sex trafficking case, as Anthony Ricco has petitioned the judge to leave the Bad Boy head’s legal team.
On Friday (February 21), Ricco, who has been with Diddy since the case’s beginning alongside Marc Agnifilo and Teny Geragos (Jason Driscoll, Anna Maria Estevao and Alexandra Shapiro have since come aboard as well), sent a letter to Judge Arun Subramanian requesting to leave the case.
“Although I have provided Sean Combs with the high level of legal representation expected by the court, under no circumstances can I continue to effectively serve as counsel for Sean Combs,” Ricco wrote.
Ricco did not make his reasons public, citing attorney/client privilege. However, TMZ is reporting that Ricco’s exit is related to a difference in legal strategies, specifically when it came to the charge of sex trafficking. Earlier this week, Shapiro, Agnifilo and Estevao (with Ricco missing from the signatories), filed a motion to dismiss that charge, calling “racist.”
In addition, TMZ claims that Ricco wanted more time before trial (currently scheduled to begin on May 5), while Agnifilo disagreed. HipHopDX has reached out to Diddy’s representatives for comment on Anthony Ricco’s departure.
Diddy’ motion to dismiss the sex trafficking charge, filed on Tuesday (February 18), focuses on the charge of transportation to engage in prostitution, one of three counts in the indictment along with sex trafficking and racketeering.
It claims that there has never been a similar prosecution under the Mann Act and no white person has ever been targeted with the law, which has been in place for over 100 years and was designed to prohibit the transportation of women for sex.
The filing claims that Diddy is the victim of racism from the government, saying: “Mr. Combs has been singled out because he is a powerful Black man, and he is being prosecuted for conduct that regularly goes unpunished.”
It adds: “What was racist in its inception has often been racist in its operation.”
The filing also reiterates the defense’s argument that all sexual activity involving Diddy and others was consensual: “The government has concocted a criminal case based primarily on allegations that Mr. Combs and two of his longtime girlfriends sometimes brought a third party — a male escort — into their sexual relationship.”
It also repeats the accusation that federal prosecutors have been leaking information about the case to the media: “The government’s handling of this case demonstrates bias and animus. It has gone out of its way to humiliate Mr. Combs and to prejudice the jury pool with pretrial publicity that plays on racist tropes. It has leaked damaging (and often times false) material to the press.”
The prosecution have yet to respond to Diddy’s motion to dismiss the charge or the allegations of racism.
NEWS
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.
