GloRilla has accomplished a major milestone: she’s the first person to be an ambassador for all four of Rihanna‘s brands.
On Tuesday (February 4), Savage x Fenty, Fenty Beauty, Fenty Skin and Fenty Hair all announced that Big Glo would partner with them.
“I’m beyond excited to be the first joint partner for Fenty brands for spring 2025,” Glo said in a statement. “Rihanna has always been such an icon and inspiration and being chosen to represent her vision across Savage x Fenty and Fenty Beauty is an honor. This spring season is all about celebrating confidence, boldness and embracing your glow. I can’t wait for y’all to experience it all.”
You can check out images from the rapper’s first campaign for the brand, “Glo Up Close,” below.
In other GloRilla news, the Memphis rapper is hitting the road for a new tour in support of her debut album GLORIOUS, and she’s bringing Real Boston Richey and Queen Key along for the ride.
Sharing a promo clip in the gym with Key, Glo announced the tour on January 30, writing: “AYEEEEE WE GOING ON TOUR Y’ALL!!!! It’s time for The GLORIOUS TOUR! IM SO EXCITED!!!!!!”
The 22-date trek kicks off in Oklahoma City in March and will hit cities among the likes of Atlanta, NYC, St. Louis and more before wrapping in Glo’s hometown of Memphis in April.
2025 is already shaping up to be another banner year for GloRilla with the Fenty deal, the new tour and a performance on Saturday Night Live.
2024 was just as great, with Glo landing on multiple year-end lists including TIME – which crowned her hit single “TGIF” as ‘Best Song of the Year.’
Among songs like Beyoncé‘s “Riiverdance,” Kendrick Lamar‘s “Not Like Us” and Kehlani‘s “After Hours,” Big Glo holds down the top spot for her single-ladies anthem.
“For GloRilla, being single is a supernatural experience,” reporter and critic Stephen Kearse writes of the track. “When the Memphis rapper isn’t in a relationship, she’s not just free from headaches and responsibilities; she’s powered up, unstoppable, glowing. She spends ‘TGIF’ toasting to this enhanced state over seismic bass kicks and a cinematic horn loop that brings to mind Godzilla ascending from the Pacific.
“Her bullish delivery elevates her mundane boasts — feeling good, looking ‘fine as hell, ‘ sporting a fresh mani-pedi — into titanic flexes. This ode to Friday clubbing isn’t self-empowering: It’s a display of power.”
Billboard also named the Memphis native as the hottest female rapper in the game for 2024.
Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".
The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.
Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.
After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.
"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.
"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."
Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.
The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.
"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."
Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".
Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.
"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."
The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."
The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."
Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."
During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.
The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".
Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.
Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.
The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".
Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.