ON THE RISE
The Reckless, made up of Fritz Fayman, Michael Kennedy, Riku Myllykoski, and John Kelly, amalgamate various rock genres, eras, styles, and talents to bring you mood-improving reckless music. But first, an origin story, with frontman Fritz Fayman.
Fritz shares that during the pandemic, like many battling with the uncertainty of life, he decided to start recording music to keep himself preoccupied. Fritz’s dad was a musician, so he grew up surrounded by music, learning guitar at 14 and developing a deep respect for its power. However, he didn’t consider himself a songwriter at the time. It wasn’t until 2019-2020, when facing one of the world’s biggest shutdowns, that he realized the true force behind music and that, maybe after all, he was meant to pursue it. He recalls that this adventure started out as a personal project, riff writing and lyricising, until the release of the self-titled album, “The Reckless.”
Jumping timelines, Fritz lands a job with the School of Rock, teaching music to youth of all ages, backgrounds, and interests. With continued exposure to various musical styles and the environment of collaboration, he was inspired to begin assembling his own band mates. Fritz admits it took a few trials to identify the right musicians who were in sync both musically and with the vision.
In order of alignment, Fritz first finds Michael Kennedy, who’s responsible for both the melodic and slap bass contributions you'll hear throughout the works. Next, they bring in Riku Myllykoski, a dynamic drummer who has an unexpected love for singing and a knack for helping with lyrical melodies. Finally, there's John Kelly, whose 'lightning-fast guitar licks' and 'shred-tastic' elements, as Fritz likes to say, brings powerful energy to complete the quartet. From different corners of San Diego, in an era of isolation, the band locked in their chemistry and off they went. Where? Down a creative, reckless rabbit hole. Fritz shares that his favorite thing about this band is the open-source nature of songwriting. Everyone has their own contributions, skills, and creative ideas that make the process truly collaborative, fun as shit, and crazy at times. Fritz loves that it not only helps them build and evolve their songs but also helps them grow as musicians.
Over the last few years, between releases like “Get Loud,” “Remember Me,” and a sick recreation of Justin Timberlake's "SexyBack," the band’s fan base grew rapidly. Naturally, with traction comes the stage of weeding out fans vs. non-fans. Fritz jokes in the interview that when you finally get haters, that's when you know you're making it. Ironically, after a negative interaction with some faceless internet troll, it inspired the song "Who Are You," the EP's title track. To make light of the situation, "Who Are You" channels a hype energy similar to an MLB walk-up song or the cinematic portrayal of a hero about to defy odds and face immense pressure. Experimenting with drop D tuning, heavy riffs, and driving rhythms, the track builds momentum and pushes you to face any challenge ahead. Through the resilient and confident energy of “Who Are You” it emerges as the centerpiece of the EP. Thematically each song is a mirror into our own decisions, actions, and mindsets that make up who we are.
Next on the EP is “Do It For Free,” a rock and roll anthem about passion and purpose. The song speaks to the idea that the reward lies in the output itself—the energy, the expression, and the impact—rather than material gain. If you genuinely love what you’re doing, you’d rather do it for free than not do it at all.
Then we get “Home,” an upbeat pop-punk banger that blends arena rock choruses, '80s new wave vibes, and themes of self-discovery. It’s an ode to the rich history of rock’s evolution and the players who continue to drive its power and legacy forward. Subjectively speaking, the guitar parts in this track are stellar.
“GO ON,” the 4th track on the EP, is a reimagining of a past alt-rock song Fritz wrote during a time of discouragement and frustration with the political climate during 2020. Timely once again, it resurfaces in the midst of a still polarized and disconnected society. Fritz appreciated how each bandmate brought their own interpretation, ideas, and energy to revamp it. The song reminds us to persevere and push onward.
Fritz notes that at this stage of the EP, the dynamics have shifted from the ascension in both message and instrumentation, to a sense of resolve.
The EP concludes with "Remember Me," a song that invites introspection. Fritz explains that it’s a reflection on the duality of our desire and struggle to leave our mark on the world, in order to not be forgotten. It’s part of the human experience to feel lost or aimless at times, but once you can “break through” that and chart your impact, you won’t fade away.
From building you up, helping you overcome adversity to pursuing your passion and leaving a legacy, The Reckless create music that helps fans feel better and come out stronger on the other side.
Fritz shares a parting sentiment with readers and fans: “[Starting your path, whether it's a band or a project, can be challenging, and you'll face moments of doubt and tough decisions. Recognize the importance of chemistry, humility, and talent, and it will lead to greater confidence and happiness for everyone involved. Stay respectful, understanding, and seize those moments of connection to build something meaningful.]”
Listen to EP “Who Are You” here
Stay tuned on social media for upcoming shows in the San Diego and Bay Area, and keep an eye out for more music coming soon!
ON THE RISE
Gang of Youths frontman David Le’aupepe has spoken to NME about the band’s first new single in four years ‘Things Take Time’ and the “philosophical freedom” that has come with writing new material for the band’s long-awaited fourth studio album.
The single marks the band’s first new original material since their acclaimed 2022 album ‘Angel In Realtime.’, and marks a significant change of pace. Rather than returning to the maximalist, big-swinging indie-rock that has shaped their previous albums, ‘Things Take Time’ opts for a refined and jazzy groove that swings atop sparse piano chords and stabs of horns.
As far as comeback singles go, it’s about as subtle and discreet as possible – as if it’s entering through a side door rather than kicking the front gate open. As Le’aupepe revealed, this has very much been done by design.
‘Angel In Realtime.’ was given four stars by NME upon its 2022 release, and described as “a triumphant exploration of love and life”. It led to the biggest shows of the band’s career, including their first-ever headlining arena shows in their native Australia and selling out Brixton Academy in the UK. After a final show in support of the record at British Summer Time with Lana Del Rey, however, Gang of Youths effectively went dark – save for the late 2023 release of ‘Have Yourself a Merry Little Christmas’ for the festive season.
“We all live quiet lives,” Le’aupepe told NME. “We don’t have our own social media, or anything like that. We’re not interested in the public stuff, and I tend to require a lot of respite from the world. Having said that, we’re all kind of ready for it again now. It’s weirdly exciting.”
Check out the full interview with Le’aupepe below, where he discussed the differences between observational and emotive songwriting, the ongoing struggle with perfectionism and why Gang of Youths continually has to die in order to be reborn again.
NME: Hello Dave. Of all the new material the band has been working on, why was ‘Things Take Time’ chosen as the first single?
David Le’aupepe: “Well, the powers that be chose it – probably because it’s the shortest one! It’s a three-minute song, which is miraculous for a band like ours. It’s also a pop song, which is a form I’ve not really dabbled in much. It was a really liberating song to write – I’ve used that word so many times in interviews in the past, but in this instance it really set me free in a sense. I’m actually singing for once, too. I’ve done a lot of talking that happens to be in tune, or these grandiose fucking yells, but I haven’t really allowed my voice to be free like this before.
“One of the things I really like about the song is that, when it was finished and we listened back to it, it felt like a proper break with the past – and we were OK with that. We’ve achieved great things in the past, and we’re proud of it, but this is the thread we’re following now musically. I was delighted by that.”
What place did the song come from in a lyrical sense?
“It’s about nothing… Well, not nothing. It’s about growing plants. My wife ordered too many tomato seeds, so she went to work growing all of these tomatoes in our house. I go over to record with Tom [Hobden, Gang of Youths’ multi-instrumentalist] at his home studio, and that overlooks his back garden. His wife Emma grows all these beautiful plants in the yard. It got me fascinated with the cycle of growth and death, and being baffled that people can grow things without killing them.
“It’s funny… I feel like death and rebirth are a constant part of our subject matter. We’re always dealing with them in one way or another, so it’s kind of weird that we almost accidentally continued it – even though the song is so different for us.”
How naturally did the musical change of pace come to you? There’s fittingly a bit of a parallel with a song like ‘Tend the Garden’, but even that feels a lot bigger and more layered in comparison to ‘Things Take Time’…
“I came in with the idea one night after dinner, and played the little riff. Recorded it, played a drum part, recorded that, got Donnie [Borzestowski, Gang of Youths’ drummer] to redo it, and voilà. You hear all of us at work on this song. When Tom heard my little ‘doo doo doo’ in the verse, it was his idea to chuck in a horn arrangement to replicate them. Donnie is a world-class drummer, and doing something a bit jazzier was right in his repertoire.
“As for Jung [Kim, Gang of Youths’ guitarist/keyboardist], he always has such a deft hand. He’s always so careful, and so organised with his thoughts. I think that’s why it was funny when I finally sent in my vocal take – after doing like 400 takes, he was just like, ‘Fuck it, I don’t really need to worry about it’. Nothing came easily, but everything just made sense.”
Everything went into radio silence after ‘Angel in Realtime.’ Was there ever a period between that cycle ending and the new one beginning where you genuinely thought Gang of Youths was over?
“Of course. That happens after every album we’ve made. I sit there at the end saying ‘I’m done’, and then enough time passes and I’m up like Leo [DiCaprio] in The Wolf of Wall Street: ‘I’m not fucking leaving!’ Out of all of the cycles, ‘Angel’ was definitely the hardest. I love that album, I really do; I think it’s my best songwriting, but it was this whole family odyssey. The arena thing was so weird, too. We’re an indie rock band – we never set out to play in stadiums, especially when you look at how scrappy we were when the band started. It was just the nature of things.
“If we came back trying to be an arena-rock band? Snoozy as fuck. We’re not in that place anymore. Those songs from ‘Angel’ are everyone else’s now. They don’t really play a role in my day-to-day life, or my inner world. What ‘Things Take Time’ represents is a philosophical freedom from having to write about personal shit. I had to break this cycle of feeling like I have to make opuses that dig into the underbelly of my life every single time. I could just write songs with their own meaning, that are curious and spiritual without having to directly cost me something.”
Was it a process of realising a song could still be reflective of you without having to be very hyper-literally about you, the way a song like ‘Brothers’ was?
“The writing now is less and less about trying to find things within myself to deal with, and more and more about things that I notice and that I contemplate. The new songs are, more often than not, about something I’ve observed rather than something I’ve felt. They’re about the external. There’s another new song we played, ‘YeYu’, and that’s probably the only really personal song out of all of them. That’s a real point of difference for a songwriter like me.”
As you just mentioned, you played your first show in three years earlier this month at a small theatre 90 minutes south of Sydney, with three new songs on the setlist – including ‘Things Take Time’. What did performing on stage again mean to you?
“Loads. It renewed something in me. There was a real warmth and affection there – you always get that with regional audiences in beautiful theatres. I knew some people who were in the front row, and who said hi afterwards. People have gotten married since they last saw us, or had kids since they last saw us. It was nice to see a lot of those familiar faces, and to see how they’re existing and how life is for them now. Hell, it was just nice to see people again. Sometimes, the boredom and the monotony of playing live and touring can wear down on even the most dedicated road dog. We all felt that at the end of the last tour, so there were some nerves in coming back to it. As soon as we stepped out on stage, though, it was like, ‘this is what it’s all about. This is the point of it all’.”
That show felt like a lot of the older material was being reinvented through the lens of the new stuff. You played ‘Magnolia’ solo on electric guitar, and ‘Let Me Down Easy’ was pared back in a really subtle way. Can we expect Gang of Youths’ shows to play out a little differently now that it’s no longer a confetti-cannon arena rock show?
“We haven’t even figured that out yet. This was our first foray into really doing it again, you know? The album that we’re working on has more of a sense of just plugging in and playing – a lot of bare elements of piano, bass, drums, vocals. We want these songs to stand out by themselves, as opposed to needing loads of backing tracks running in order for them to work. That factored into the live show – could we reinvent these songs in a way that makes sense to us? It was about striking a middle ground between giving people familiarity and us not dying of boredom.”
Is the new album done?
“Nah.”
How will you know when it’s done?
“When someone tells me it’s not the worst thing I’ve ever made! With [debut album, 2015’s] ‘The Positions’, I had no clue what I was doing. I just knew we had a deadline to turn everything in. With [second album, 2017’s] ‘Go Farther in Lightness’, I was totally sure about every aspect of that album before we turned it in. All I really know about this one, so far, is that when I got back the masters for ‘Things Take Time’, it felt like I was closer to the end of the album than I was to the beginning. I’ve always cooked the goose too long, I think, and now it’s a process of learning not to.”
‘Things Take Time’ is out now. Gang of Youths will perform at All Points East in London’s Hyde Park with Twenty One Pilots on August 30 before a run of UK and European shows in November and December. Visit here for tickets and more information.
