NEWS
Nelly has been sued by his former group the St. Lunatics over what they claim is uncredited work on his Country Grammar album.
The group, consisting of Ali Jones (Ali), Torhi Harper (Murphy Lee), Robert Kyjuan (Kyjuan) and Nelly’s brother Lavell Webb (City Spud), filed the copyright infringement suit against Nelly on Wednesday (September 18).
The claim, which was made in New York Federal Court, asserts that the superstar didn’t credit them for their work on his 2000 album.
The claim revolves around their publishing and writing on the album.
This isn’t the first time St. Lunatics have spoken out against Nelly’s alleged impropriety regarding their artistic contributions to their work.
In 2023, Ali vowed he’d never perform with Nelly ever again because of money he owed the band.
Ali Jones sat down with VladTV for an interview in August of that year and opened up about Nelly allegedly going for months at a time without paying him what he was owed.
“I’ll say like it could be $90,000 or $70,000,” he estimated. “When that conversation happens I’ll get a check. It’ll be $13,000. Now you’ll be fucked up now because what is this $13,000 for? You owe me $91,000.”
He concluded: “What did you pay me for? At the end of it, it’s gonna be $66,000 because he’s far behind on the payments.”
The St. Louis native blasted Nelly for the lack of communication on his end and then blamed an outsider for trying to divide Nelly from the group.
Ali went on to declare that he’s “never” going to reunite with Nelly or hit the stage to perform with him again in the future.
“A tiger ain’t never gon’ change his stripes,” he said. “I watched it for 20 years and I’m the butt of the joke because it took me 20 years to realize it. I could put a never, ever behind it will I ever hit the stage or do anything with him.”
He added: “He has no real raw good intentions for others. Not for us and we’ve all sat together and searched hard to try to find a time that didn’t benefit him. He got $50 million, I’m happy for him. That’s what he wants. He wants a billion.”
The $50 million Ali was referencing is the reported figure Nelly was paid for selling half of his music catalog back in June. The deal included eight albums spanning a string of hits, a lot of which played a crucial role in elevating 21st-century Hip Hop and R&B.
Taylor Swift believes Nashville has a music scene that stands apart from anywhere else.
The 36 year old singer moved to Nashville, Tennessee, when she was young to chase her dream of becoming a country music star. After being inducted into the Nashville Songwriters Hall of Fame on Monday (26.10.26), Taylor took the opportunity to recognise the city and the talented writers who have helped shape its music scene.
In her acceptance speech, Taylor said: "I believe you really get to master a craft by doing it again and again. That's exactly what the incredible songwriters in this wonderful town do every day."
Taylor also spoke about what makes Nashville such a special place for musicians.
The award winning singer, who ranks among the best selling music artists of all time, said: "You won't find another music community quite like this one. Trust me, I've checked them all."
Taylor also shared how being part of Nashville's songwriting scene had taught her valuable lessons about life and working with others.
She joked: "I've learned to be flexible when your co writer turns up with a hangover, or when they need to spend ages talking about their divorce before we can even get started on a song."
Taylor previously spoke about how Faith Hill and Shania Twain inspired her decision to move to Nashville.
Speaking to Time magazine, the singer said: "I couldn't get enough of watching TV biographies about Faith Hill and Shania Twain, and I realised they had both moved to Nashville to get their careers started. After that, I kept asking, pleading and begging my parents to take me there.
"When I was 11, my mum took my brother and me to Nashville during spring break, and we spent the trip driving around Music Row. She stayed in the car while I rushed into record companies one after another, giving my demo CD to the receptionists. I found it fascinating that so many major record labels were gathered along a single street, often inside little buildings and old houses.
"What really stayed with me was how welcoming people were to newcomers and complete strangers like us. We started visiting Nashville more often, and when I was 13, I received an offer for a development deal from a major record label. That was when my parents finally agreed to leave Pennsylvania and move with me."
