It includes Moog synthesisers, a Korg drum machine, old Soviet-era equipment and more

Modest Mouse are selling vintage music gear on Reverb, including Moog synthesisers, a Korg drum machine, a Soursound Audio Custom Amp head, and old Soviet-era equipment.

In a video posted on Reverb’s YouTube channel, frontman Issac Brock admits that he has a habit of stocking up on maybe too much gear, which often gets unused, and now he’s getting rid of over 500 pieces from his massive collection.

The shop launches on September 5, and its description online says that some of this gear has been around the world with Modest Mouse – which now “they’re passing on” to their fans.

Speaking about how he managed to build up such a big collection, Brock said: “I would go down to the music store, and I would just buy anything that looked interesting to me.

“I could just take it back or resell it, but then I wouldn’t do that—I would be like, eh—you’ll have a purpose someday. I’d kind of panic that if I didn’t have a whole bunch of new gadgets and tools to work with, I was gonna make the same songs.”

In the video, Brock said: “A large part of why I decided to clear out some stuff that I even like is because I have option fatigue. If I get interest in something, I get way too interested for a short amount of time. So I ended up buying every shitty drum machine I could possibly find.”

The Modest Mouse Reverb store will feature a Moog Mother-32 and Arp Odyssey, several Fender amplifiers, rare pedals such as the Electro-Harmonix Rhythm-12 and an original MIJ Boss Chorus Ensemble, along with a 50-watt Soursound Audio Custom Amp head, complete with a road case.

Additionally, Modest Mouse is also unpacking three gold Telefunken M80 microphones from various of the band’s tours, Soviet-era items such as a Polivoks Polyvox and two Lell UDS Soviet Analog Drum Synthesizers, Modest Mouse merchandise, stadium seats from a 1956 Elvis concert, and a Moog Voyager XL, which Brock describes in the video as “too nice for me.”

Last month, Modest Mouse announced details of a US tour, celebrating the 20th anniversary of ‘Good News For People Who Love Bad News’.

It comes following the band marking the milestone anniversary earlier this year, when they shared a reissue consisting of an expanded edition of the LP – it features eight additional remixes from the likes of MGMT’s Andrew VanWyngarden (‘The View’), Jacknife Lee (‘Bury Me With It’), Dan the Automator (‘Float On’), and Justin Raisen (‘The Good Times Are Killing Me’).

Running between the end of October and the entirety of November, the Modest Mouse 2024 tour will kick off with an opening night at The Republik in Honolulu on October 28. Any remaining tickets for the US dates can be found here.

Modest Mouse’s 2024 anniversary tour dates are:

OCTOBER
28 – Honolulu, HI @ The Republik
30 – Seattle, WA @ Paramount Theater

NOVEMBER
1 – Portland, OR @ Rev Hall
2 – Portland, OR @ Rev Hall
3 – Portland, OR @ Rev Hall
5 – Oakland, CA @ Fox Theater
6 – Los Angeles, CA @ The Bellwether
7 – Los Angeles, CA @ The Bellwether
8 – Los Angeles, CA @ The Bellwether
9 – San Diego, CA @ The Sound
11 – Denver, CO @ Mission Ballroom
12 – Omaha, NE @ Steelhouse Omaha
13 – Milwaukee, WI @ The Riverside Theater
14 – Chicago, IL @ The Salt Shed
11/16 – Detroit, MI @ The Fillmore Detroit
17 – Toronto, ON @ HISTORY
19 – Boston, MA @ MGM Music Hall at Fenway
20 – Philadelphia, PA @ The Fillmore Philadelphia
21 – Brooklyn, NY @ Brooklyn Steel
22 – Brooklyn, NY @ Brooklyn Steel
23 – Brooklyn, NY @ Brooklyn Steel

Massive Attack have been using their latest live show to challenge American data analytics and software company Palantir, with the band describing the firm's ambitions as "terrifying".

The pioneering trip hop group have woven criticism of the controversial surveillance technology company into their new stage production. During their upcoming performance at Primavera Sound, they plan to deploy "custom-made facial recognition software" capable of "scanning a 75,000-person crowd" and projecting audience members onto giant screens with tongue in cheek labels such as "11 weeks no time off, burnout" and "unfinished books", according to Novara Media.

Speaking with the publication, the visual concept takes direct aim at Palantir, the company established two decades ago by billionaire Peter Thiel. Backed financially by the CIA, the firm counts the US and Israeli militaries, ICE, the FBI and the NHS among its clients.

After unveiling the production in Helsinki, Robert Del Naja told Novara Media that he wanted audiences to better understand how Palantir's reach has expanded from supplying "kill chain tech" reportedly used in Gaza to now having access to the medical records of people across Britain.

"We really need a much wider debate on the suitability of a company like this having such capture of our societal infrastructure," he said. He explained that the criticism is embedded throughout Massive Attack's two hour performance and was developed alongside long time collaborator Adam Curtis and London art collective United Visual Artists.

 

 

"One visual element represents how a Palantir Gotham monitoring and ‘decision chain’ interface might look," Del Naja explained. "Using facial recognition technology, it lands on groups and individuals – implying a consequential outcome for a given target."

Novara Media also detailed how Palantir's software can connect information from multiple databases. The outlet reported that ICE allegedly combines the platform with body camera footage, social media data and information gathered through Israeli developed hacking software Paragon to identify protesters involved in resistance to immigration raids.

The publication further claimed that Palantir contributes to Maven, a software platform used by the US military, which has recently faced criticism after being linked to the bombing of a girls' school in Iran.

"I find their declarations, objectives and moral framing pretty terrifying," Del Naja said. "To enable AI systems to map police records, satellite tracked locations, health records and personal financial transactions and place all of that information – for the first time – into the hands of a company with an overt political agenda and social objectives of its own is a huge, potentially irreversible and dangerous overreach."

Another moment in Massive Attack's current live production appears during the closing section of "Girl I Love You", when a quote from Peter Thiel is projected on screen reading: "I no longer believe that freedom and democracy are compatible".

Last year, Massive Attack introduced the satirical "facial recognition" sequence during their concerts and quickly rejected suggestions that genuine data recognition systems were being used on audiences.

"No Massive Attack live show has ever recorded or stored personal data," the group stated. "Only government departments, relevant authorities & approved contractors can access public databases in the UK, & doing so in multiple cities/countries would be impossible."

The band also pointed to the growing use of facial recognition technology across Britain, arguing that authorities are "overreaching almost all other western democracies with their use of public facial recognition … while there is no specific legislation regulating police use of these systems."

The statement arrived shortly after Massive Attack welcomed Kneecap onto the stage during their major show at the OVO Wembley Arena, introducing them as a group "who refused to be silenced for their solidarity with the Palestinian people."

Massive Attack have consistently spoken out in support of Palestine and a range of other progressive causes. More recently, they pledged to boycott Spotify following reports that CEO Daniel Ek had invested heavily "in a company producing military munition drones and AI technology integrated into fighter aircraft."

During their headline appearance at London's LIDO Festival last summer, the band were joined by actor and activist Khalid Abdalla along with Yasiin Bey, formerly known as Mos Def. Earlier this year, Del Naja also criticised what he described as a "draconian government" after being arrested while protesting the ban on Palestine Action.

The musician was one of hundreds of demonstrators who gathered in Trafalgar Square on April 11 to oppose the Palestine Action ban. He carried a placard stating "I Oppose Genocide, I Support Palestine Action".

 

Police removed him from the protest and arrested him on suspicion of expressing support for a proscribed organisation. He later responded with an extensive statement posted to Instagram.

Back in February, the band revealed a small run of European dates for the summer. The tour began on May 27 at Veikkaus Arena in Helsinki before continuing to Dalhalla in Rättvik on May 30.

The Bristol trip hop pioneers have not released new material since the 2020 EP "Eutopia". Their most recent studio album remains 2010's "Heligoland".

Speaking with NME in 2024, Robert Del Naja revealed that the band had "some new music which we've been sitting on for four years". He later shared in November that he hoped to finally release some of that material in 2026.

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