G-Unit's beef with Ja Rule will never die.

Tony Yayo once again showed why G-Unit and Ja Rule will never reconcile. In an interview with DJ Vlad, Yayo and Vlad had a discussion about the greatest rapper of all time. Dr. Dre recently called Eminem the greatest to ever do it. Yayo co-signed Dre's opinion, adding that he had Em in his top five, but couldn't disagree with Dre's opinion. He talked about the value of statistics, mentioning that Eminem is still breaking records nearly a quarter of a century into his mainstream career. He uttered a familiar phrase: "men lie, women lie, numbers don't," suggesting a belief that commercial success is the greatest measure of a rapper's status in the industry.

The conversation between Vlad and Tony Yayo went from the greatest rapper of all time to Yayo creating his Mount Rushmore of Queens rappers. The two of them went through a list. They did not quite settle on a Mount Rushmore, but Vlad was quick to note that Ja Rule's name did not come up. Vlad argued that Ja should be in conversations over the Lost Boys. Especially if one of Yayo's own measures for success is how well one performs commercially. For a period, Ja Rule was among the most popular rappers around, along with DMXOutKast, Eminem, and of course, 50 Cent.

Tony Yayo Insults Ja Rule, Again

"He was like the industry plant early, Ja Rule [...]," said Tony Yayo in the clip. "Ja Rule was a buster to me. I don't know him. He's from the other side of town. He's a buster to me, and he's still a buster. Irv [Gotti]'s a buster, Irv's brother's a buster, and they're all busters to me." When questioned about Ja's ability to sell records at his peak, Yayo responded by calling him a buster again. He disregarded his sales and reiterated that the Lost Boys deserve to be on that list instead of him.

Tony Yayo's response is not surprising. The 50 Cent-led G-unit camp and Ja Rule have had issues for over twenty years. 50, along with Eminem, contributed greatly to ending Ja's run as a commercially viable rapper, with a series of diss tracks that kneecapped his credibility. Em once again took aim at him on The Death of Slim Shady. With this interview, Yayo is the latest 50 Cent affiliate to remind fans that the participants in this long-running beef will probably never reach a truce.

Earlier on Friday, Jan. 30, news reports announced an upcoming Netflix documentary exploring the early years and success of the Red Hot Chili Peppers and the impact of the band’s original guitarist Hillel Slovak, who died in 1988 of an accidental heroin overdose.

Directed by Ben Feldman, Variety reported that The Rise of the Red Hot Chili Peppers includes input from members Anthony Kiedis and Flea and is set to premiere on March 20. “At its heart, this is a deeply relatable story — about the friendships that shape our identities and the lasting power of the bonds forged in adolescence,” Feldman said in a statement at the time. “What’s less relatable, of course, is that here those friends went on to create one of the greatest rock bands in history. I’m profoundly grateful to the band and to Hillel’s family for their trust and generosity, and to Netflix for helping bring this story to the world stage.”

However, following the announcement, the band later released their own statement distancing themselves from the project. “About a year ago, we were asked to be interviewed for a documentary about Hillel Slovak. He was a founding member of the group, a great guitarist, and friend. We agreed to be interviewed out of love and respect for Hillel and his memory,” wrote the band in a post shared on social media. “However, this documentary is now being advertised as a Red Hot Chili Peppers documentary, which it is not,” they clarified. “We had nothing to do with it creatively. We have yet to make a Red Hot Chili Peppers documentary. The central subject of this current Netflix special is Hillel Slovak and we hope it sparks interest in his work.”

The group originally encompassed Slovak, Kiedis, Flea, and drummer Jack Irons. It has since gone through several iterations following Slovak’s tragic death, with Irons leaving the group soon after.

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