NEWS
The Eminem-produced docuseries How Music Got Free has finally received a release date from Paramount+.
The docuseries, which also has LeBron James as an executive producer, will debut in the United States and Canada on the streaming giant on June 11. Fans everywhere else in the world will get to see it the next day.
How Music Got Free was first dropped at SXSW this year, and it “details the fascinating, and often funny, inside story of the technology-driven disruption that changed music during the late-’90s and early-2000s. File sharing technology, combined with the insatiable demand for new music, created both the means and the motive for millions of young people to participate in outright theft — and be celebrated for it,” according to The Hollywood Reporter.
Notably, Em was not a fan of the music piracy discussed in the series when it was happening, as HipHopDX reported back in 2002.
As part of a campaign against it that year, Em said: “I’m sorry; when I worked 9-to-5, I expected to get a paycheck every week. It’s the same with music; if I’m putting my heart and all my time into music, I expect to get rewarded for that. I work hard and anybody can just throw a computer up and download my music for free. It could kill the whole purpose of making music.”
Check out the first trailer for the series below.
Back in February, Variety reported that the 51-year-old MC was preparing to co-produce a documentary titled Stans, which is a reference to his fictional song about a devotee of his music who ends up killing himself and his girlfriend after Em doesn’t respond to his letters.
“Stan” has since become a recognized term (both noun and verb) used to convey obsession, typically for artists and celebrities.
Directed by Steven Leckart and set to be released later this year via Shady Films, the film’s synopsis describes it as a “revealing, edgy, and disarmingly personal journey into the world of superfandom, told through the lens of one of the world’s most iconic and enduring artists, Eminem, and the fans that worship him.”
The “Lose Yourself” hitmaker’s manager Paul Rosenberg said that the upcoming movie “will be the opportunity for us to turn the camera around and ask the audience about being fans — and in some cases, fanatics.”
Last month, the Detroit native issued an open call to his social-media followers by sharing a link to a questionnaire that will presumably be used to shortlist participants for Stans.
The form consists of questions such as “What are some things in your life that you’ve accomplished thanks to Eminem/his music?” and “Do you remember when Eminem took a break from touring/releasing albums circa 2005? If so, how did that impact you?”
Haim have offered an early glimpse into their next album, telling NME that New York has been fueling their creativity and that they are “always writing”.
Also read: Este Haim discusses scoring Bella Ramsey film Sunny Dancer and Haim’s fifth album shaped by New York
The Los Angeles group, featuring siblings Danielle, Este and Alana Haim, put out their fourth studio album, ‘I Quit’, during the summer of 2025.
During a recent conversation with NME, Este spoke about creating the soundtrack for the new Bella Ramsey movie Sunny Dancer with Zachary Dawes, known for his work with Lana Del Rey and The Last Shadow Puppets. The bassist was also asked whether Haim had started developing fresh music.
“Haim business is open for business, 24 hours, seven days a week,” the musician responded. “We’re always writing, we’re always thinking about what the next thing is going to sound like.”
Still, Este indicated that the sisters are not rushing into their fifth album and plan to give themselves enough space to discover new ideas. She explained that she “just want[s] to live in it a little bit and experience life”.
“I want to revel in being married for a minute,” Este went on. “I didn’t get married until I was 39, so now I want to enjoy it and stop and smell the roses for a little bit.”
Discussing what has been sparking ideas for Haim and possibly influencing the direction of their upcoming project, Este pointed to the time she has spent in New York and the friendships she has been able to revisit there.
“I’ve really found New York to be very inspiring. Being here and reconnecting with friends that I went to college with and didn’t have the chance to hang out with because I was living in LA has been really great.
“And the energy in New York, I’ve really been thriving in it. You go outside of your door and you’re in the shit; you are in the flow whether you like it or not. I’ve found it really inspiring – just the energy and the sounds of New York, it’s so different for me.”
Asked how those surroundings might eventually translate into Haim’s music, Este kept the details under wraps, saying: “We’ll have to wait and see! I don’t know the answers yet, but I’m having a great time figuring it out!”
Este has also worked with Christopher Stracey on the music for the upcoming Callum Turner film One Night Only. Her previous composing credits include Netflix’s Maid and the Sydney Sweeney romantic comedy Anyone But You.
She takes on the role of Aura in Sunny Dancer as well. Meanwhile, her sister and fellow Haim member Alana Haim has appeared in The Mastermind, The Drama and One Battle After Another within roughly the last year.
Haim marked the arrival of ‘I Quit’ last summer by playing an unannounced performance at Glastonbury Festival. After completing a run of North American dates, the trio embarked on a UK arena tour later that year.
‘I Quit’ earned a place on NME’s ranking of the 50 best albums released in 2025, while ‘Relationships’ was included among the publication’s standout songs of the year. A deluxe version followed in October, adding ‘Tie You Down’, a collaboration with Bon Iver.
Awarding the original release four stars, NME said: “‘I Quit’ is set at a crossroads in the grieving process, when lessons have already been learned, but the pain of memories still linger.
“But this is still a Haim album, and their songs never linger on despair, are never far from the warmth of their sisterhood. They’re no longer the pop group you once knew, but this record is proof that sometimes, you really do need to let go in order to grow.”
