NEWS
In a surprising revelation, Grammy-winning producer Hit-Boy has shed light on the intricate decision-making process that led to Drake and Justin Bieber's chart-topping single "Right Here." Originally crafted for a Big Sean and J. Cole collaboration, the beat found its way into the hands of two different camps. This is what ultimately shaped the trajectory of the song and the careers involved. Moreover, taking to Instagram, Hit-Boy shared a captivating video from the studio session where Drake and Bieber worked their magic on the track. In his post, the All-Star producer told the story of how the beat came to be. Moreover, he revealed its initial intended destination on Big Sean's "24k of Gold," a track from his Detroit mixtape.
However, in a candid reflection, Hit-Boy described the dilemma he faced in deciding which artist to send the beat to. Despite its alignment with Sean and Cole's vision, Hit-Boy ultimately made the tough call to offer the track to Drake and Bieber. It was a decision not taken lightly, but one that was endorsed by Sean himself, who recognized the opportunity for Hit-Boy's career to soar with the collaboration. Acknowledging Sean's selflessness and support, Hit-Boy expressed his gratitude, recognizing the rapper's integrity and understanding of the music industry's dynamics. Furthermore, the gesture speaks volumes about the camaraderie and mutual respect shared among artists. Even in the competitive landscape of hip-hop.
“Crazy story for throwback thursday,” Hit-Boy wrote. “this is a clip of justin bieber and drake working on a beat i produced for their song ‘right here.’ the funny thing is big sean and j cole had a song called ’24k of gold’ over the same beat and i had to choose who to give the beat to. that was TOUGH but sean being the solid dude he is told me to run it with bieber and drake cuz he knew it was a a1 look for me." "Salute to him for that," he continued. "I never even knew they caught a vibe to the second beat playing at the end i made that too. Time flies.” Furthermore, he shouted out fellow producer Key Wane. "Shout to bro @keywane for flipping the 24k of gold joint and goin crzy on it.”
Furthermore, Hit-Boy offered glowing praise for both Big Sean and Drake, highlighting their reputations as individuals of character and influence within the industry. Their involvement in the song's journey only adds to its legacy and significance within the realm of modern music. The story serves as a testament to the power of collaboration, the importance of mentorship, and the unpredictability of success in the world of hip-hop. In sharing this behind-the-scenes glimpse, Hit-Boy invites fans to appreciate the intricate tapestry of decisions, relationships, and moments that shape the songs we know and love, reminding us that sometimes the most impactful stories lie beneath the surface.
NEWS
Celebrated playwright and comedian Ben Elton has approached Noel Gallagher about creating an “Oasis jukebox musical”.
The two recently crossed paths at the Queen Budapest premiere at London’s BFI Imax. During their conversation, the We Will Rock You writer expressed his interest in building a stage production around Oasis’ songs.
The Sun newspaper’s Bizarre column reported that the guitarist laughed and pointed him towards his brother Liam, saying: “You better ask our kid.”
Someone close to Liam suggested casting the singer would be a challenge, claiming no actor could "match" his "swagger".
Built around Queen’s songs, We Will Rock You enjoyed an impressive run, becoming the Dominion Theatre’s longest running musical and earning a place among the West End’s longest running productions. It also received the Laurence Olivier Award for Most Popular Show.
Interest in Oasis remains enormous, with 11 million people signing up for the Oasis Live ’27 ticket ballot.
After the Live Forever band returned to touring last year for the first time in 16 years, their famous rivalry with Blur became the subject of a stage comedy.
In The Battle, Gavin and Stacey actor Mathew Horne portrayed Andy Ross, the Britpop music executive who found himself in the middle of one of British music’s most memorable feuds.
He said: “This play is right in the sweet spot of my teenage cultural experience. I’m thrilled to be exploring this iconic era in music on stage with such a talented creative team involved.”
The production revisited August 1995, when Blur and Oasis went head to head by releasing Country House and Roll With It on the same day, each hoping to reach Number One.
Blur secured the victory with sales of 274,000 copies, compared with 216,000 for Oasis.
That chart contest fuelled years of public jabs between members of both groups, although relations have become less hostile over time.
A UK tour had been planned for the production, but its remaining performances were cancelled following the Birmingham and Manchester engagements in February and March this year.
Oasis Live ’27 begins on May 21 at Glasgow’s Celtic Park, with 42 concerts scheduled, including a record six performances at Knebworth.
